As a fan of a wide variety of popular (and not-so-popular) music from the 1950s (and sometimes even earlier) up through the present, one of my bucket list projects for years has been to put together a list of my 100 favorite songs of all time. At some point I decided that, once I got around to figuring that out, I could put it out on a blog, for the infinitesimally small proportion of the Internet world that might be interested. So, here we are. While the Top 100 will be a major focus, I also plan to post on a variety of other musical (and occasionally non-musical) topics, in which you may or may not be interested. (If a particular posting doesn’t ring your bell, you’re only a few clicks away from a dancing cat video on YouTube.)

Saturday, September 30, 2017

September 29, 2017 – Nats 6, Pirates 1 – Nationals Park


 
Attendance: 36,339
Duration: 3:06
Weather: 72 degrees, Clear
Wind: 5 MPH Out to Center
Umpires: HP: Paul Nauert. 1B: Carlos Torres. 2B: Chris Guccione. 3B: Dana DeMuth.
 
Section 312, Row D, Seats 11-13 – great seats, two sections closer to home plate than our regular location
 
Notes – almost a replay of our last game: dominant performance by Strasburg, 2 homers by Zim, close game early until the Nats’ offense finally arrived … but cooler and earlier-ending, with a lot more people, presumably due largely to the beer stein giveaway (which we arrived too late to get) … Stras only allowed 2 hits in 7⅔ innings, retiring the first 14 batters and not allowing a runner past second base … Nats scored a run in the first on singles by Rendon and Murphy and Zim’s double … added 3 in the 6th, capped by Zim’s 2-run HR, and 2 in the 8th on back-to-back solo shots by Zimmerman (who had 2 doubles in addition to his 2 round-trippers) and Werth

Friday, September 29, 2017

#157 The Big Heat – Stan Ridgway (1986)


 
You can have roman noir and film noir – Stan Ridgway is the king of music noir, if that’s an actual thing. (It’s no accident that the title of this song is identical to that of the 1953 movie starring Glenn Ford.) This one is Ridgway’s best, but if you like it, check out “Peg And Pete And Me”, “Drive, She Said”, and “Camouflage”.

#156 (I’m Not Your) Steppin’ Stone – The Monkees (1967)


 
Like many other red-blooded American 13-year-olds, I refused to watch the 1966 TV series starring the “Prefab Four” (who didn’t even play their own instruments!), which we saw as a cynical corporate creation to make tons of money and drive our female counterparts crazy. (They were, of course, wildly successful on both counts.) I did, however, actually buy two of their 45s on the strength of their B-sides: this one (which backed “I’m A Believer”) and “Words”. Later in life, I did come to appreciate the quality of the material, arrangements, and production of much of their oeuvre.  It didn’t hurt that “Pleasant Valley Sunday” (by the always-excellent team of Gerry Goffin and Carole King, and the A-side of “Words”) could be interpreted as a somewhat sarcastic ode to the college where I spent four mostly wonderful years.
 
Two things really make the song great: the overall garage-band sound, and the drum solo. It was first recorded by Paul Revere & The Raiders, but I didn’t hear their version until a few years ago. I still like the Monkees’ rendition better.

#155 Don’t Hang Up Your Dancing Shoes – Iain Matthews (1978)


 
I remember picking up Ian’s Stealin’ Home album (he only used one “I” in his first name back then) for a buck in the cutout bin of an Ames store in Prince George’s Plaza a few years after it was released, largely on the strength of his hit single “Shake It”. It turned out to be one of my best musical bargains, featuring the title track and a few other Matthews originals, along with some well-chosen covers, such as Robert Palmer’s “Gimme An Inch”. “Dancing Shoes” and “Shake It” were both written by one Terence Boylan, a fact that intrigued me enough to almost buy Boylan’s album featuring his versions when I ran across it in a Fairfax warehouse. A couple years ago I finally did get a Boylan compilation CD, which had some other good material but was marred by severe overproduction, most likely due to the number of well-known session musicians that were featured.

Monday, September 25, 2017

Ari Hest w/ Ken Yates – AMP, 9/24/2017


Great “VIP” seats, at the rear of a table in the front row, near the center
 
Although Ari Hest featured strong singing and guitar work (excepting his three-song detour to the piano mid-set) throughout his 70-minute show, he saved most of the best for the end, finishing the main set with “I’ve Got You”, and then encoring with “Heart Of A Lion” from his recent album Natural and a nice cover of Paul Simon’s “Still Crazy After All These Years”. My other favorite was “The Weight” (a Hest original, not the Band tune), which appears most recently on his Grammy-nominated Silver Skies Blue duet album with Judy Collins.
 
Ken Yates, a Canadian singer-songwriter who’s played a number of house concerts in this area, provided a 40-minute opening set whose most memorable songs included “Huntsville”, “Keep Your Head Down”, and “Roll Me On Home.”