As a fan of a wide variety of popular (and not-so-popular) music from the 1950s (and sometimes even earlier) up through the present, one of my bucket list projects for years has been to put together a list of my 100 favorite songs of all time. At some point I decided that, once I got around to figuring that out, I could put it out on a blog, for the infinitesimally small proportion of the Internet world that might be interested. So, here we are. While the Top 100 will be a major focus, I also plan to post on a variety of other musical (and occasionally non-musical) topics, in which you may or may not be interested. (If a particular posting doesn’t ring your bell, you’re only a few clicks away from a dancing cat video on YouTube.)

Friday, April 6, 2018

April 5, 2018 – Mets 8, Nats 2 – Nationals Park


 
Attendance: 42,477
Duration: 2:57
Weather: 42 degrees, Mildly Cloudy
Wind: 12 MPH Left to Right
Umpires: HP: Doug Eddings. 1B: Marty Foster. 2B: Mark Ripperger. 3B: Joe West.
 
Section 131, Row Y, Seats 11-13 – just beyond first base, in the sun (barely)
 
Game notes – baseball-wise, the highlight of the day came in the morning, when the team announced a two-year extension for GM Mike Rizzo … the Nats continued to have early-game offensive success, as Eaton led off with a double and scored when New York RF Jay Bruce bobbled Rendon’s single … Mets answered in the top of the 2nd on a two-out balk by Strasburg with runners on first and third … Nats regained the lead with a 2-out rally in the 3rd, when Eaton walked and scored on Rendon’s double … again the Mets came right back to tie, this time on a long leadoff homer by Yoenis Cespedes … the New Yorkers took the lead for good an inning later with 2 outs and a man on base, when Michael Conforto hit a long fly to left that was initially called a ground-rule double but was ruled to have left the yard after review … the Nats had their best chance of the day in the bottom of the 6th, but failed to score after loading the bases on a single and two walks with none out and the heart of the order up … Turner was ejected after being called out on strikes to end the inning … the visitors removed any doubt half an inning later off Brandon Kintzler on a grand slam by Bruce … Eaton left the game after tweaking his ankle while sliding to score the Nats second run
 
Other – chilly and breezy day, although being in the sun helped some, and it was reasonably comfortable by the time the game ended … decided (wisely) to take Metro, with a comfortable trip down but a crowded trip back (packed in like sardines on the Green Line segment, and had to stand most of the way back to Shady Grove) … Nats raised prices on hot dogs and pizza, and the old stands where we could get soft pretzels and pretzel bites have been replaced by carts where a pretzel “braid” with dip is a hefty $8.00
 

Richard Thompson w/ Joan Shelley – The Birchmere, 4/4/2018


Table 216 – 8-person table parallel to the stage, house left section, about 1/3 of the way back. I was the first one at the table, so I claimed the seat closest to the aisle facing the stage. Not super close, but a nice view.
 
Recipe for a great, sold-out, 110-minute Richard Thompson show:
 
Old favorites – Beeswing, 1952 Vincent Black Lightning, Wall Of Death, Dimming Of The Day, etc.
Stuff I’d never seen him perform before – Gethsemane (which opened the show), Crazy Man Michael, Push And Shove, They Tore The Hippodrome Down, Right From Wrong (from his upcoming album)
Audience participation – Hots For The Smarts, Tear-Stained Letter (first encore)
Great guitar workouts – most notably on Valerie and Shoot Out The Lights
At least one REALLY old song – Matty Groves
 
Traffic was good in both directions. I arrived shortly after 4:00, and the line already extended most of the way back along the building.
 
 
Joan Shelley and Martin Salsburg (both on guitar) did a quiet but effective 30-minute opening set; I liked both her voice and her material. Something like Carrie Newcomer in her more contemplative moments, or even the Milk Carton Kids (if one of the latter was a woman, who did almost all of the vocals).