As a fan of a wide variety of popular (and not-so-popular) music from the 1950s (and sometimes even earlier) up through the present, one of my bucket list projects for years has been to put together a list of my 100 favorite songs of all time. At some point I decided that, once I got around to figuring that out, I could put it out on a blog, for the infinitesimally small proportion of the Internet world that might be interested. So, here we are. While the Top 100 will be a major focus, I also plan to post on a variety of other musical (and occasionally non-musical) topics, in which you may or may not be interested. (If a particular posting doesn’t ring your bell, you’re only a few clicks away from a dancing cat video on YouTube.)

Saturday, March 21, 2015

March 20, 2015 – Nats 7, Astros 5 – Kissimmee FL


 
Weather: 85 degrees, sunny
Time: 2:46
Attendance: 4,060
Section 211, Row 15, Seat 3 – section just to the right of home plate, row just below the press box, fortunately in the shade, as it got much hotter than the listed 85 as the afternoon went on
 
Just because you’re staying in Kissimmee (west side) doesn’t necessarily mean that you’ll have an easy trip to Osceola County Stadium, in Kissimmee (east side). On my way there, the Google navigation app on my phone detected a traffic incident on the straight-shot route (192) and initially advised me to take a toll-road alternative. Having looked forward to a toll-free day, I resisted, willing to risk the slowdown. About a mile later, she calmly recommended I turn right on something called N. Poinciana Blvd. This time I decided to trust her and was rewarded by a smooth detour that didn’t add any mileage and got around the problem. Coming back on 192, however, was SLOW all the way, primarily due to the amount of time spent waiting at traffic lights. (The Clearwater-St. Pete area long ago lessened their congestion significantly by building interchanges on many of their busiest roads.) I guess this was the Kissimmee rush hour; not sure whether using the nav would have helped.
 
Parking was ten bucks – higher than I expected for parking on a grass lot, but at least close to the stadium. Passed on the $8 beer in favor of bottled water ($3), and picked up a decent southwest chicken wrap (with chips) for 9 dollars.
 
The Nats plated 4 runs in a lengthy top of the first, off a wild Sam Deduno. Espinosa looked good against the right-handed Deduno, hitting a hard double to right that scored Tony Gwynn Jr., who opened with a walk. After Harper’s groundout advanced Espinosa to 3rd, Tyler Moore singled him home and Mike Carp followed with a single. Deduno then lost the plate entirely, walking Uggla and Lobaton to force home the Nats’ third run, and a sac fly by Frandsen finished off the early scoring.
 
Harper made the Nats lead 5-0 in the top of the 4th with a massive shot to right off Houston reliever Jake Buchanan; Jason Castro answered back in the bottom of the frame with a homer off Max Scherzer, for the only run the Nats’ starter yielded in a tidy 5 innings of work. Scherzer’s hitting, to be charitable, is not as far along as his pitching – the Nats chose to let him hit rather than using a DH – although he did manage to work a walk in his second at-bat. Perhaps Buchanan couldn’t quite believe he was trying to bunt with two outs.
 
The Nats bullpen did manage to make things interesting after Scherzer departed. In the bottom of the sixth, Astros third-baseman Luis Valbuena, who typically struggles against left-handed pitching, hit a two-run shot off Nats’ southpaw Xavier Cedeno to cut the margin to 5-3. Jerry Blevins pitched a 1-2-3 seventh after Kila Ka’aihue hit a solo shot in the top of the frame, and in one of those only-in-spring-training moments, was pinch-hit for by “twin” Josh Johnson, who was also wearing #13. Heath Bell, however, was unable to retire any of the four batters he faced in the eighth (walk, error, single, single), but Manny Delcarmen came in to limit the damage to an additional run, getting top prospect Carlos Correa to ground into an inning-ending double play after giving up a sac fly to cut the lead to one run. The Nats got one back in the top of the ninth when Ka’aihue doubled in Delta Cleary Jr. (who?), and Delcarmen retired Houston in the ninth. (Appropriate that a former Boston pitcher got the save, since I had Red Sox fans sitting on both sides of me.)

Friday, March 20, 2015

Shuffle #51 (March 20, 2015)


My Generation – The Who
Little Red Corvette – Prince
That Girl Could Sing – Jackson Browne
I’m So Gone – Jackie Greene
‘Til Your Fool Comes Home – James Hunter
Bubbly – Colbie Caillat
Diamonds On The Soles Of Her Shoes – Paul Simon
Atlantic City – Bruce Springsteen
Bits And Pieces – The Dave Clark Five
Let Her Dance – The Bobby Fuller Four
Forget You – Cee Lo Green
Kiko And The Lavender Moon – Los Lobos
Beat Crazy – Joe Jackson
Get Off Of My Cloud – The Rolling Stones

Monday, March 16, 2015

LP #18 This Is Ryan Shaw (2007)


Rather than being a man ahead of his time, Ryan Shaw is a man behind his time. He’s a classic soul singer, who probably would have been a big star had he been working in the 1960s. He’s also an incredibly dynamic live performer – after the release of this album, I caught him at a pre-Preakness outdoor show in Baltimore’s Harbor East neighborhood, an outdoor show at Columbia’s Lake Kittamaqundi (on my birthday no less), the WXPN summer music festival in Philadelphia, and a little later at the Birchmere opening for James Hunter.
 
Shaw wrote my favorite song on the album (“Over & Done”), co-wrote two others (“We Got Love” and “Nobody”), and covered three well-known R&B tunes – the classic “Lookin’ For A Love”, which he makes his own; Wilson Pickett’s “I Found A Love”; and Jackie Wilson’s “I’ll Be Satisfied”. He also did some older but obscure soul tracks, most notably “Working On A Building Of Love”, a Holland-Dozier-Holland song that could have been a big hit for the Jackson 5 back in the day.
 
This Is Ryan Shaw got good reviews and a Grammy nomination, but didn’t do much sales-wise. Unfortunately, for 2012’s Real Love Shaw abandoned the canny mix of covers and a few originals that made his debut such a treat, co-writing 9 of the 12 tracks, only one of which (the concluding “Morning Noon & Night”) is particularly noteworthy. Appropriately, he also played Stevie Wonder in Motown: The Musical on Broadway.
 
Favorite tracks:
Working On A Building Of Love
Lookin’ For A Love
We Got Love
I Am Your Man