As a fan of a wide variety of popular (and not-so-popular) music from the 1950s (and sometimes even earlier) up through the present, one of my bucket list projects for years has been to put together a list of my 100 favorite songs of all time. At some point I decided that, once I got around to figuring that out, I could put it out on a blog, for the infinitesimally small proportion of the Internet world that might be interested. So, here we are. While the Top 100 will be a major focus, I also plan to post on a variety of other musical (and occasionally non-musical) topics, in which you may or may not be interested. (If a particular posting doesn’t ring your bell, you’re only a few clicks away from a dancing cat video on YouTube.)

Wednesday, January 22, 2014

Hit song in the making?



I fell in love with the song “Happy” by Pharrell Williams when I first heard it on WXPN a week or two ago. Its recent Oscar nomination for Best Song (from Despicable Me 2) seems to have brought it quite a bit of attention. It’s now among the Top 10 downloads in iTunes, and Billboard columnist Sean Ross speculates that it soon may be getting heavy airplay on a variety of radio formats.

It will be interesting to see whether it comes out on top on Oscar night, since it will have formidable competition from U2’s “Ordinary Love” (from Mandela: Long Walk to Freedom), another great song, from an excellent movie that apparently got lost in the Christmas shuffle in terms of box office success.

Speaking of the weather


Here’s the WXPN 8:30am “Select-A-Song” for the frigid day after the snowstorm:

Snowbound – Donald Fagan
A Hazy Shade of Winter – Simon & Garfunkel
Snowfall – Ingrid Michaelson
California Dreamin’ – The Mamas & The Papas

Tuesday, January 21, 2014

#87 This Love -- Maroon 5 (2004)


 
Probably the best pure pop song of the 21st century, at least so far.

#88 Rock And Roll Lullaby -- B.J. Thomas (1972)



I always liked most of the B.J. Thomas singles, dating back to his cover version of Hank Williams’ “I’m So Lonesome I Could Cry” in 1966 (although his later cover of the Beach Boys’ classic “Don’t Worry Baby” was completely unnecessary). Meanwhile, Barry Mann and Cynthia Weil were one of the top songwriting pairs of the “Brill Building” era, nicely documented in Ken Emerson’s book Always Magic in the Air: The Bomp and Brilliance of the Brill Building Era.

Put the two together, and you get one of the most poignant entries on this countdown. According to Dave Marsh, who put the song at #124 on his own personal list, “If you want to know what rock and roll means to people, why many lives would be unlivable without it, this is a good place to start learning.”

#89 Al Bowlly's In Heaven -- Richard Thompson (1986)



I first saw Richard Thompson at the Wolf Trap Jazz & Blues Festival, probably sometime in the 1990s – not sure whether “jazz” or “blues” was the label they used for him. This was back when they had 3 stages for the festival, so he and bassist Danny Thompson (no relation) didn’t play inside the Filene Center, but rather on a small temporary outdoors stage. There was a thunderstorm earlier in the afternoon, so I was worried that the performance might be canceled. I don’t remember much about the set list, but this is the song that made the biggest impression on me. I promptly went out and picked up two RT albums (Daring Adventures and Rumor and Sigh), and the rest is history.

Sunday, January 19, 2014

Modern Man at El Golfo Restaurant, 1/12/2014


Modern Man, which consists of David Buskin, George Wurzbach and Rob Carlson, might best be characterized as a folk-comedy trio (their bio mentions “a vocal blend that has not been heard since Ella and F. Scott Fitzgerald went their separate ways”). I had seen them do a short set at a multi-artist show several years ago, and so when their performance at one of the monthly World Folk Music Association showcases was announced, the opportunity seemed too good to pass up. 

The restaurant was packed, and the guys put on a great show, starting with “Don’t You Hate It” when folkies make the audience sing along (a personal pet peeve of mine), and continuing with a number of their other classics, including “Jews Don’t Camp”, “Eggs Like These” (a parody of Springsteen’s “Born to Run”), “Channel Surfin’,” and “Folk Music in the Nude.” I was especially pleased that they performed one of my personal favorites, the rap-folk “Assisted Living.”


This is the first WFMA showcase we had attended since they had revived the series at El Golfo, a Latin American restaurant in Silver Spring MD – nice place, and the food we had got thumbs-up all around (fajitas, Salmon Pacifico, Masitas de Puerco). Due to the overwhelming demand for the show, the logistics were somewhat chaotic – the restaurant parking lot was full, and they had lost our dinner reservations. Fortunately we were able to get seats, and everything ended well.
 
If you’re looking for some Modern Man music in iTunes, be warned that there is more than one act with that name. Look for something from their albums (Assisted Living, Modern Immaturity, The Wide Album – Live at the Bottom Line) and you won’t go wrong.
 

 

Notable Quotes #3


Who says nobody in the government has a sense of humor?

Yesterday the Post ran an Associated Press story about an Oregon diaper company reaching a settlement with the FTC of charges that their claims of environmental benefits for their products were misleading.

The article contains the following quote from Jessica Rich, director of the FTC’s Bureau of Consumer Protection: “The claims for these diapers just didn’t pass our smell test.”
 
http://www.washingtonpost.com/business/economy/nintendo-projects-an-annual-loss-of-240-million/2014/01/17/2c732c60-7f06-11e3-95c6-0a7aa80874bc_story.html (second item)