As a fan of a wide variety of popular (and not-so-popular) music from the 1950s (and sometimes even earlier) up through the present, one of my bucket list projects for years has been to put together a list of my 100 favorite songs of all time. At some point I decided that, once I got around to figuring that out, I could put it out on a blog, for the infinitesimally small proportion of the Internet world that might be interested. So, here we are. While the Top 100 will be a major focus, I also plan to post on a variety of other musical (and occasionally non-musical) topics, in which you may or may not be interested. (If a particular posting doesn’t ring your bell, you’re only a few clicks away from a dancing cat video on YouTube.)
Showing posts with label Favorite Musical Artists. Show all posts
Showing posts with label Favorite Musical Artists. Show all posts

Monday, December 30, 2019

Favorite Musical Artists: Steely Dan


I pretty much summarized my feelings about Steely Dan a couple years back in my tribute to Walter Becker. I’ve never seen them live – after all, during their prime they abandoned the road for the studio – but if they ever migrated from Jiffy Lube Live back to Wolf Trap, I’d give it a shot, despite Becker’s absence.
 
Favorite Songs:
 
Reeling In The Years
Deacon Blues
FM
Do It Again
 
King Of The World
Don’t Take Me Alive
Dirty Work
Hey Nineteen
Bad Sneakers
 
Show Biz Kids
Here At The Western World
Only A Fool Would Say That
Kid Charlemagne
Josie
 
Bodhisattva
Peg
Midnite Cruiser
Razor Boy
Turn That Heartbeat Over Again

Wednesday, November 27, 2019

Favorite Musical Artists: Indigo Girls


The Indigo Girls occupy an interesting middle niche in the music business ecosystem: not exactly household names, but more than cult favorites. They’ve received multiple Grammy nominations (with one win) and, with a run of six consecutive albums that went either gold or platinum, probably don’t have to worry about where their next meals are coming from. Yet, fortunately for their fans, they’re not so big that they can’t play venues such as Wolf Trap or the Maryland Hall for the Performing Arts (with reasonable ticket prices), or appear on the River Stage at XPNFest. And we can also be thankful that they didn’t become so acclaimed that they spawned a bevy of imitators trying to become the “new Indigo Girls”; it would be difficult if not impossible to improve on the original.
 
 
Favorite Songs:
 
Fill It Up Again
Watershed
Closer To Fine
The Wood Song
 
Hammer And A Nail
Power Of Two
This Train Revised
Cold Beer And Remote Control
Galileo
 
Chickenman
Rise Up
Sugar Tongue
Get Out The Map
Least Complicated
 
Welcome Me
All That We Let In
Moment Of Forgiveness
Kid Fears
Shame On You

Tuesday, October 29, 2019

Favorite Musical Artists: Eva Cassidy


I’ve expressed my feelings about Eva in an earlier post (“With the possible exception of Sinatra, I’ve never heard anyone approach Eva Cassidy as a singer, in terms of voice quality, phrasing, and the overall ability to interpret a song”), but Jefferson Morley provided an even better summary in his superb 1998 Washington Post article, “When Chuck Met Eva”:
 
“She had a voice that could silence a barroom and get the pool players to lay down their cues. A voice that could prompt casual listeners to round up their co-workers for a night out dancing. A voice that could invest all kinds of American popular music with a true portion of herself.”
 
RIP Eva. Your legend lives on.
 
Favorite Songs:
 
Blue Skies
You've Changed*
Dark End Of The Street
Wayfaring Stranger
 
You Don't Know Me*
Stormy Monday
American Tune
Cheek To Cheek
People Get Ready
 
Oh, Had I A Golden Thread
I Could Have Told You So*
Penny To My Name
Autumn Leaves
Won't Be Long
 
A Bold Young Farmer
Gee Baby, Ain’t I Good To You*
God Bless The Child
Honeysuckle Rose
Fields Of Gold
 
* -- with Chuck Brown

Thursday, September 26, 2019

Favorite Musical Artists: Gordon Lightfoot


Speaking of musical genres, I’m not sure whether Gordon Lightfoot was held back by their boundaries or transcended them – I prefer to think the latter. Although his earliest material had a decidedly country sound (and his later “Sundown” actually hit #13 on Billboard’s Hot Country Singles chart), he first gained attention as a folk artist, with performers such as Peter, Paul & Mary recording some of his material. Because of that background, I was always surprised when I found his albums in stores filed under Pop/Rock rather than in the Folk section. Similarly, I could never quite understand why he didn’t get nearly as much attention as did others (Jackson Browne, James Taylor, Carole King, fellow Canadian Joni Mitchell) during the 1970s “singer-songwriter” craze. Was it because he didn’t live in or hang around L.A.? Was it because his music leaned more “adult contemporary” than rock? (Although JT was certainly never known for rocking out.) Maybe it was because his songs never felt all that introspective: allmusic.com refers to typical singer-songwriter lyrics of the era that “were personal, although … often veiled by layers of metaphors and obscure imagery.”
 
All that aside, I’ve always had this somewhat fanciful notion that there’s some supernatural power that assigns all of us some fixed number of great songs. (For most of us, of course, that number is zero.) During his prime years during the 1960s and 1970s, Gordon Lightfoot certainly came up with far more than his share.
 
Favorite songs:
 
The Way I Feel (version from the album of the same name)
The Last Time I Saw Her
The Circle Is Small
Early Morning Rain
 
Summer Side Of Life
Did She Mention My Name
If You Could Read My Mind
10 Degrees & Getting Colder
Song For A Winter's Night
 
For Lovin' Me
Crossroads
Softly
Same Old Loverman
Endless Wire
 
Pussywillows, Cat-Tails
Sundown
Can't Depend On Love
Sit Down Young Stranger
That Same Old Obsession

Saturday, August 24, 2019

Favorite Musical Artists: Lyle Lovett


It’s more or less a coincidence that Lyle Lovett comes up right after Mary Chapin Carpenter. Fans of the latter, of course, are sure to be familiar with these lines from “I Feel Lucky”:
 
Now eleven million later, I was sittin' at the bar.
I bought the house a double, then the waitress a new car.
Dwight Yoakam's in the corner, tryin' to catch my eye.
Lyle Lovett's right beside me with his hand upon my thigh.
[obviously with her consent; see chorus below]
I feel lucky,
I feel lucky, yeah.
Hey Dwight, hey Lyle, boys, you don't have to fight.
Hot dog, I feel lucky tonight.
 
(I have to admit I started to wonder, when in recent years it became annoyingly typical for the two of them to appear at Wolf Trap on back-to-back evenings, forcing me either to choose between them or endure two late nights in a row.)
 
The best summary of Lovett’s music I could find came from Last.fm: “Lyle Lovett is an Americana singer-songwriter and actor from Klein, Texas, who has been described as "the thinking man's cowboy". While typically associated with the alt-country genre, his albums typically incorporate folk, swing, blues, jazz and gospel music as well as more traditional country & western styles.”
 
Concert notes (all from appearances at Wolf Trap with his Large Band unless otherwise noted): 2019 2018 2017 (at Strathmore with John Hiatt) 2016 2015
 
Favorite songs:
 
If I Had A Boat
That's Right (You're Not From Texas)
Here I Am
Closing Time
Church
 
She's No Lady
I Will Rise Up/Ain't No More Cane
What Do You Do/The Glory Of Love
Simple Song
Penguins
 
Nobody Knows Me
Don't Touch My Hat
L.A. County
Good Intentions
My Baby Don’t Tolerate
 
North Dakota
Family Reserve
Pass Me Not O Gentle Savior
Wallisville Road
Which Way Does That Old Pony Run
 
Bonus tracks -- Funny How Time Slips Away (duet with Al Green), and Francine Reed’s performance of Wild Women Don't Get the Blues (always a highlight of his Large Band shows)

Tuesday, July 30, 2019

Favorite Musical Artists: Mary Chapin Carpenter


I’ve already told the story of how I first got into Mary Chapin Carpenter’s music. She continues to put on excellent concerts, although her days of country music stardom are long past. I recently went back and re-listened to her first five albums, from 1987’s Hometown Girl through 1994’s Stones In The Road. All are excellent, but I guess that Come On Come On (1992) would have to rate as my favorite: it produced 5 of the 20 songs listed below, and that’s not even counting “I Take My Chances” or her cover of Mark Knopfler’s “The Bug”. For a great introduction, check out her 1999 compilation-with-a-twist, Party Doll And Other Favorites.
Favorite songs:
 
Passionate Kisses
Outside Looking In
He Thinks He'll Keep Her
Down At The Twist And Shout
 
Hometown Girl
I Feel Lucky
Dancing In The Dark (live Springsteen cover)
Shut Up And Kiss Me
Goodbye Again
 
The Hard Way
I Am A Town
Quittin' Time
10,000 Miles
It Don't Bring You
 
The Way I Feel
How Do
Party Doll
Almost Home
Why Walk When You Can Fly

Friday, June 28, 2019

Favorite Musical Artists: The Beach Boys


It may have been fate that I was listening to the final half-hour of Rich Russo’s Anything, Anything this past Sunday night, as I caught his segue of Barenaked Ladies’ classic “Brian Wilson”, preceded by a partial live cover by the man himself. While the other members of the Beach Boys certainly played a major role in the group’s success (as evidenced by some fine work while Wilson was in the depths of his long-lasting mental health issues), there’s no question that Brian Wilson deserves his accolades as a musical genius; I’m not sure who else has been included in lists of top singers, songwriters, AND producers by major music publications. Except for when one of my dorm neighbors in college frequently played the underappreciated Surf’s Up album, I was always more inspired by the band on a song-by-song basis: not just the big hits, but many of their more obscure tracks as well. Although Brian Wilson’s melodies and vocal arrangements get the most attention, many of the band’s lyrics are also notable, initially evoking both the joys and difficulties of the teen years, and tackling more sophisticated topics later with the likes of “Long Promised Road” and “Til I Die”.
 
Favorite songs:
 
Wouldn't It Be Nice
Barbara Ann
All Summer Long
Please Let Me Wonder
 
In My Room
Long Promised Road
Help Me, Rhonda
Fun, Fun, Fun
When I Grow Up (To Be A Man)
 
Sloop John B.
Good Timin'
Surf's Up
Darlin'
Surfer Girl
 
Good Vibrations
California Girls
Disney Girls
Wendy
Surfin' U.S.A.
 
Holiday bonus – just about everyone is familiar with the classics “Little Saint Nick” and “The Man With All The Toys”. They also did a stunning version of “Graduation Day”.

Thursday, May 30, 2019

Favorite Musical Artists: Richard Thompson


Mark Deming begins his excellent biography of Richard Thompson at allmusic.com with the following sentence: “An iconic figure in British folk-rock, Richard Thompson is arguably the genre's greatest triple threat: a dazzling guitarist, an outstanding songwriter, and a strong and evocative vocalist.” I’d certainly agree, but would add “compelling live performer” to the list. One of the advantages of following a non-superstar act (speaking commercially, rather than in terms of talent) is that you get plenty of opportunities to see them in small, intimate venues (Rams Head, Barns at Wolf Trap, the Birchmere) at a reasonable price: since I started this blog, I’ve seen Thompson on 5 separate occasions, not counting his brief opening set for Bonnie Raitt at Wolf Trap.
 
Favorite songs:
 
Keep Your Distance
1952 Vincent Black Lightning
Tear-Stained Letter
Wall Of Death*
 
Valerie
I Misunderstood
King Of Bohemia
Dimming Of The Day
I Feel So Good
 
Don't Renege On Our Love*
Hots For The Smarts
Uninhabited Man
Beeswing
Crawl Back (Under My Stone)
 
Walking The Long Mile Home
Waltzing's For Dreamers
When The Spell Is Broken
How Will I Ever Be Simple Again
Crocodile Tears
 
* - Richard and Linda Thompson

Tuesday, April 30, 2019

Favorite Musical Artists: Bruce Springsteen


I guess in some ways it’s appropriate that I post this just a few days after The Boss announced the upcoming release of his 19th studio album, and dropped its first “single”, “Hello Sunshine”. I like the song, but it’s not nearly as upbeat as the title might suggest. Rich Russo played it on his syndicated radio show this weekend, immediately followed by the Beatles’ “Good Day Sunshine”, and the contrast was pretty striking. (What it REALLY reminds me of is Danny O’Keefe’s 1972 hit “Goodtime Charlie’s Got The Blues.”)
 
Although I do own all 18 of Bruce’s previous studio recordings, plus some (but not all) of his live and/or previously-unreleased stuff (yes, I have the four-disc Tracks set), I’ve been a relative slacker compared to the true diehards in terms of seeing him live, with a modest total of five shows to my credit:
 
October 20, 1974 – Dickinson College (Carlisle PA)
November 11, 2007 – Verizon Center
September 14, 2012 – Nationals Park
April 20, 2016 – Royal Farms Arena (Baltimore)
September 1, 2016 – Nationals Park
 
I decided to see if I could find out a little more about Jon Landau’s legendary “rock and roll future” comment. A slightly longer excerpt is below; you can find the entire (lengthy) column from which it was taken here.
 
But tonight there is someone I can write of the way I used to write, without reservations of any kind. Last Thursday, at the Harvard Square theatre, I saw my rock'n'roll past flash before my eyes. And I saw something else: I saw rock and roll future and its name is Bruce Springsteen. And on a night when I needed to feel young, he made me feel like I was hearing music for the very first time.
 
Favorite songs:
 
Jungleland
Rosalita (Come Out Tonight)
Hungry Heart
The Price You Pay
 
My City Of Ruins
Jersey Girl
4th Of July, Asbury Park (Sandy)
Dancing In The Dark
Darkness On The Edge Of Town
 
Blinded By The Light
Stolen Car
Born To Run
Pink Cadillac
Shut Out The Light
 
Kitty's Back
The Promised Land
Spirit In The Night
Wrecking Ball
One Step Up
 
And of course there’s his classic cover of “Santa Claus Is Comin’ To Town
 

Saturday, March 30, 2019

Favorite Musical Artists: Del Amitri


I did a rather lengthy write-up of this wonderful, if relatively little-known, Scottish band previously, so I won’t repeat it here. (They’re also pretty great live.) Going back and listening to some of their material again, I was struck by the endings of several of their songs. “Be My Downfall” keeps the suspense going throughout the song – will he stay or will he go? “Always The Last To Know” contains a surprise twist at the end, while “Nothing Ever Happens” features, almost as a throwaway, an ominous pair of lines that not only re-color the rest of the song but remain relevant 30 years later. They also have an endearing habit of tossing in British expressions (car park, chat show, matchlight) that are seldom heard on this side of the pond.
 
Favorite songs:
Always The Last To Know
Be My Downfall
Roll To Me
In The Frame
 
Some Other Sucker's Parade
Nothing Ever Happens
Before The Evening Steals The Afternoon
Kiss This Thing Goodbye
Not Where It's At
 
Spit In The Rain
Sleep Instead Of Teardrops
Move Away Jimmy Blue
When You Were Young
Just Before You Leave
 
The First Rule Of Love
Out Falls The Past
Hatful Of Rain
In The Meantime
Long Journey Home

Friday, February 22, 2019

Favorite Musical Artists: The Impressions

Bruce Springsteen wrote in his must-read autobiography Born To Run (near the end of Chapter 25), “In the 1960s the first version of my country that struck me as truthful and unfiltered was the one I heard in songs by artists like Bob Dylan, the Kingsmen, James Brown and Curtis Mayfield.” The Impressions’ classic “People Get Ready” would later serve as one of the inspirations for Springsteen’s “Land Of Hope And Dreams”. Yet Mayfield certainly wasn’t limited to writing songs of social consciousness; like James Hunter, he was unbelievably prolific in producing classic songs about the ups and downs of more intimate human relationships, seemingly without breaking a sweat. It wasn’t just the songs, of course, as the vocal harmonies (usually led by Mayfield’s unmistakable falsetto) and arrangements are top-notch as well.
 
From my earlier notes on “I Loved And I Lost”:
 
I’ve always felt that Chicago soul music never got the credit it deserves. … Curtis Mayfield, of course, was the driving force behind much of this success. In addition to writing nearly all of the Impressions’ material, he wrote hits for fellow Chicagoans Jerry Butler, Gene Chandler, and Major Lance, as well as for Aretha Franklin and the Staple Singers. He also was a producer, started his own successful record label (Curtom), and had a notable solo career in the 1970s. … Most of the album cuts that Mayfield wrote for the Impressions are just as strong as the tracks that got released as singles, in sharp contrast to the filler that mars so many 1960 albums.
 
And I did get to see them live a couple years ago, with Jeremy Purifory doing an amazingly good job of taking Mayfield’s vocal parts.
 
Favorite songs:
People Get Ready
Gypsy Woman
It's All Right
I've Been Trying
 
Grow Closer Together
It's Hard To Believe
I'm So Proud
Talking About My Baby
Just Another Dance
 
Amen
We're A Winner
Sad Sad Girl And Boy
Minstrel & Queen
You've Been Cheatin'
 
Keep On Pushing
Long, Long Winter
See The Real Me
Never Let Me Go
Can't Satisfy
 
And I should also mention “For Your Precious Love”, the initial hit from the early version of the group featuring Jerry Butler. 

Friday, January 25, 2019

Favorite Musical Artists: James Hunter


From my review of his 2006 album People Gonna Talk: 
 
Allmusic.com characterizes Hunter as an “English channeler of American soul from days of yore”, which is probably as apt a description as any. What it doesn’t capture is that Hunter manages to draw upon his influences while nevertheless creating a sound that is uniquely his own. As both the lead vocalist and only guitar player in his superb band – Hunter now bills the act as “The James Hunter Six” – his sound heavily features his two sax players to drive his melodies, with his alternately edgy or supremely lyrical guitar work mainly reserved for the bridges of the songs. He also writes superb songs, both uptempo and ballads; one of my favorite Hunter lyrics is from “Don’t Come Back”:
 
Never have revenge in mind
‘Cos an eye for an eye will make the whole world blind
But forgiveness is the business of some other diplomat
So baby don’t come back.
 
 
Hunter has an excellent web site, which includes notes and track listings for all of his U.S.-released albums, as well as links to a number of interviews.
 
Fortunately for his fans, Hunter and his band tour frequently and generally hit the DC area. He does get around venue-wise: in addition to the shows listed below, I’ve seen him at Wolf Trap, XPNFest in Camden, and the Birchmere.
 
Recent concerts:
 
Favorite songs:
People Gonna Talk
Don’t Come Back
Look Out
Tell Her
 
Hand It Over
One Way Love
The Hard Way
This Is Where We Came In
You Can’t Win
 
Kick It Around
Let The Monkey Ride
How Long
Talkin ‘Bout My Love
Whatever It Takes
 
 (Baby) Hold On
Hear Me Calling
Don’t Do Me No Favours
Believe What I Say
I Don’t Wanna Be Without You
 
Each of the above is available on one of Hunter’s studio CDs. I would be remiss, however, to not also mention his classic cover version of The “5” Royales’ “Baby Don’t Do It”, which is a staple of his live shows.

Favorite Musical Artists


Having finally finished my previous one-year three-year blog project, it’s time to move on. This time, I’ll be honoring my 12 favorite musical artists of all time. They will be presented in random order, as I couldn’t bear to think that any of them were merely #7 or #11. They’re all equally great to me.
 
Since there are only 12 entries to work up, and 12 months in the year, I hope that this project will be completed in time. Feel free to nag me mercilessly if I should fall behind. (Some may detect a clue at the end of that sentence …)