As a fan of a wide variety of popular (and not-so-popular) music from the 1950s (and sometimes even earlier) up through the present, one of my bucket list projects for years has been to put together a list of my 100 favorite songs of all time. At some point I decided that, once I got around to figuring that out, I could put it out on a blog, for the infinitesimally small proportion of the Internet world that might be interested. So, here we are. While the Top 100 will be a major focus, I also plan to post on a variety of other musical (and occasionally non-musical) topics, in which you may or may not be interested. (If a particular posting doesn’t ring your bell, you’re only a few clicks away from a dancing cat video on YouTube.)

Sunday, April 24, 2016

Bruce Springsteen & The E Street Band (The River Tour) – Royal Farms Arena (Baltimore), 4/20/2016


GA Floor -- towards the rear of “the pit”, left side against the barricade
 
The couple in front of us in line as we were waiting to get in had two signs. One said “1st show”, while the other said “110th show”.
 
I was closer to the former, this being my fourth Springsteen concert, but for the first time I had one of the coveted “GA Floor” tickets. Bruce’s arena shows have a standard seating protocol for general admission tickets. You show up during a specified time period (in our case, between 2:00 and 5:00 in the afternoon) and get a wristband with a sequentially-assigned number. After that, you can leave and go about your business – we headed down to the Inner Harbor for lunch – until near the end of the number-pickup window, when you return and line up by number. Finally a fan randomly picks one of the numbers that have been handed out (a “random start” for any statisticians in the audience), and fans are let in starting with that number, with the process wrapping around so that the fans with numbers below the one selected are the last to get in.
 
There’s one additional factor: the floor area of the arena is divided into a front section (the “pit”) and a rear section. Depending on the site configuration, only a certain number of fans are allowed into the pit – in our case, they announced that it would be the first 500. We got there around 1:30 and got numbers 48 and 49. The number selected was (if I remember correctly) 1033. After checking with someone who had picked up a number relatively late, we estimated that maybe 1600 numbers were distributed, which meant that we would not quite make it into the front section. We actually wound up being pleasantly surprised that we did make the cut; apparently the cutoff was at 70. We still aren’t sure whether we overestimated what the maximum number was or whether they decided at the last minute that the pit could accommodate more that 500 people.
 
Naturally, given that we were among the last to get into the pit, we didn’t get right in front of the stage. I was, however, pretty happy with where we wound up. The entire pit area is surrounded by a barricade, and we positioned ourselves next to the barricade on the left side. Although we were near the back, we had a relatively unobstructed view of the stage, we could lean against the barricade, and the area wasn’t nearly as crowded as I had expected. It was also relatively easy for us to get in and out of the area for food, beer, bathroom breaks etc.
 
The other great thing about our location was that there’s a path between the barricades and the seats (on the sides) and the front barricades of the rear section of the floor. Part of the Springsteen concert experience is that Bruce comes back along the barricades during a few songs (3 in our case) to get closer to the rest of the crowd, which means that if you’re at the barricades, you may actually get to touch The Boss, and/or get some close-up photos.
 
There are a couple of downsides to standing-room tickets, although they’re less significant than the advantages. The first, obviously, is that you’re standing for a long time, in our case from when we lined up around 4:30 until the show ended about 7 hours later. (We could perhaps have sat down on the floor for a bit while waiting for the show to start, but didn’t.) I held up reasonably well, but my back was starting to feel the strain around 10:30 or so. The other drawback is that some folks tend to get a bit chatty, especially during the slower numbers.
 
This tour featured Bruce and the band performing his 1980 two-disc album The River in its entirely (which took about the first two hours of the show), followed by a selection of other songs. Highlights for me of course included “Hungry Heart” (although I personally don’t have a wife and kids in Baltimore, Jack), “The Price You Pay”, and a reworked version of “Point Blank”. He also changed the post-River song lineup a bit, starting with “Prove It All Night” and “My Love Will Not Let You Down” (which I first heard in a Mary Chapin Carpenter show at the 9:30 Club). There was also an on-stage marriage proposal, strategically placed right before Bruce did “I Wanna Marry You”.
 
All in all, a great experience. Even getting out of the parking garage and downtown Baltimore wasn’t nearly as messy as I had feared.
 

2 comments:

  1. How many times have you seen him live?

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    1. Actually only 4 -- when we were at LVC, Verizon Center maybe 10 years ago, Nationals Park about 4 years ago, and last month. The friend I went with has seen him 30-some times, while another Westatian we met there has been to 40 shows. (I prefer to spread my concert $$$ around ...)

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