As a fan of a wide variety of popular (and not-so-popular) music from the 1950s (and sometimes even earlier) up through the present, one of my bucket list projects for years has been to put together a list of my 100 favorite songs of all time. At some point I decided that, once I got around to figuring that out, I could put it out on a blog, for the infinitesimally small proportion of the Internet world that might be interested. So, here we are. While the Top 100 will be a major focus, I also plan to post on a variety of other musical (and occasionally non-musical) topics, in which you may or may not be interested. (If a particular posting doesn’t ring your bell, you’re only a few clicks away from a dancing cat video on YouTube.)

Thursday, November 13, 2014

#9 A Change Is Gonna Come -- Sam Cooke (1965)



This classic civil rights anthem, which wasn’t released as a single until a few weeks after Cooke’s untimely death in December of 1964, is in the National Recording Registry maintained by the Library of Congress. It’s also been recognized as one of the greatest songs of all time by NPR and Rolling Stone magazine, and is in the Grammy Hall of Fame and the Rock & Roll Hall of Fame. Hard to believe, then, that RCA Victor threw it out there as the B-side of the record (“Shake” was the A-side), and it only reached a modest #31 on the Hot 100.

Tuesday, November 11, 2014

Serendipity #25


Unchain My Heart – Ray Charles


Heard 11/10/2014 around noon, at Zoe’s Kitchen (Kentlands)

Stevie Wonder “Songs in the Key of Life” Tour, Verizon Center, 11/9/2014


The legendary Stevie Wonder doesn’t tour all that often, and I had never seen him live, so it was a no-brainer to get tickets for the Washington stop of his latest tour, which was dedicated to performing the entirety of his Songs in the Key of Life album. The three seats we wound up getting (Section 211, Row L, 10-12) turned out to be not bad at all. They were relatively far back (right side facing the stage, probably at around what would be the far goal line for hockey), but at the end of a row, with an unobstructed view of the stage and video screen, and in the last row of the section, so we could stand up at will without having any guilt feelings about blocking anyone else. Getting in and through security didn’t take all that long, and even the Metro on the way home was surprisingly uncrowded, especially since the concert appeared to be sold out. 

Needless to say, the show (which ran close to 3 hours) was fantastic. Wonder started by joking about “losing his voice” and having to cancel the show, and gave special thanks to band members Greg Phillinganes and Nathan Watt, both of whom were also on the original recording. He and his large cast of musicians (including horns, a string section, and backup singers) launched into “Love’s in Need of Love Today”, which is the first track of Side 1 of the album. The crew then moved through Sides 1 and 2 of the first record in the set, winding up with the first two songs from the 4-track bonus EP, “Saturn” and “Ebony Eyes”. After intermission, they resumed with the crowd favorite “Isn’t She Lovely”, where Wonder featured his now grown-up daughter and backup singer Aisha Morris, who inspired (and appears, as a baby, on the original). After finishing up Side 3 (the first side of the second full-length record in the set), Wonder wisely chose to do the two remaining songs from the EP (“All Day Sucker” and the instrumental “Easy Goin’ Evening”) before moving on to the final side, concluding with the favorites “As” (which I’m still puzzled was not titled “Always”) and the driving “Another Star”, which fortunately was long enough to give Wonder time to introduce all the numerous members of his backup ensemble. After the lengthy standing ovation had died down, he teased the crowd by playing the first few bars of “Do I Do” and “Master Blaster” before sending everyone home happy with a full performance (and crowd singalong) of “Superstition”. 

Stevie alternated between keyboards, standup vocals, and harmonica throughout the evening, and seemed to be in fine voice throughout, despite his joking around at the beginning. Highlights included several appearances by special guest India.Arie (in a variety of colorful outfits), and the one-two punch of his #1 hits “Sir Duke” and “I Wish” near the beginning.

Monday, November 10, 2014

#10 Brian Wilson -- Barenaked Ladies (1997)



Semi-biographical ode to the troubled musical genius of the Beach Boys – great enough that Brian Wilson himself started doing a cover version of the song in concert. I don’t often listen to the Washington rock station (DC 101), but for some reason I had it on one night in the late 1990s and they played the live version of this from BNL’s Rock Spectacle album. This is definitely one of those songs where the live version far exceeds the original studio recording, so much so that it’s the version that the band included on their best-of compilation.