As a fan of a wide variety of popular (and not-so-popular) music from the 1950s (and sometimes even earlier) up through the present, one of my bucket list projects for years has been to put together a list of my 100 favorite songs of all time. At some point I decided that, once I got around to figuring that out, I could put it out on a blog, for the infinitesimally small proportion of the Internet world that might be interested. So, here we are. While the Top 100 will be a major focus, I also plan to post on a variety of other musical (and occasionally non-musical) topics, in which you may or may not be interested. (If a particular posting doesn’t ring your bell, you’re only a few clicks away from a dancing cat video on YouTube.)
While Burt Bacharach was talented as a pianist, conductor,
arranger, and producer, his greatest contributions to American popular music
were the hundreds of songs that he composed. Variety’s excellent “Best Songs”
article (referenced above) characterizes his work as “musically sophisticated,
complex and often downright weird, combining a world of influences — from jazz
and classical to bossa nova and westerns — along with startling yet seemingly
smooth key and time-signature changes, unusual voicings and more.” Although he
worked with various performers and lyricists over the course of his career, his
work with Hal David and Dionne Warwick is undoubtedly one of the most prolific
and satisfying songwriter/performer collaborations ever.
Barrett Strong will mostly be remembered as a prolific songwriter,
mostly working with Norman Whitfield on songs for the Temptations and other
Motown acts. He didn’t have nearly as much success as a singer, but he did have
the honor of recording “Money
(That’s What I Want)”, which was the Motown empire’s first hit record.
In an interview
with the Detroit Free Press in 2019, Strong characterized his career as
follows: “I feel good about it. I did something. I did my part, what I was put
on this earth to do. I made people smile. I made people have babies. I made
people do a lot of things. So I contributed something
to my being here.”
And as was the case with the late Lamont
Dozier, “Levi
Stubbs’ Tears” also includes a tribute to Barrett Strong, even though he
and Whitfield contributed very little to the Four Tops Roster of Hits: