As a fan of a wide variety of popular (and not-so-popular) music from the 1950s (and sometimes even earlier) up through the present, one of my bucket list projects for years has been to put together a list of my 100 favorite songs of all time. At some point I decided that, once I got around to figuring that out, I could put it out on a blog, for the infinitesimally small proportion of the Internet world that might be interested. So, here we are. While the Top 100 will be a major focus, I also plan to post on a variety of other musical (and occasionally non-musical) topics, in which you may or may not be interested. (If a particular posting doesn’t ring your bell, you’re only a few clicks away from a dancing cat video on YouTube.)

Thursday, November 19, 2015

Serendipity #50


Mexican Radio – Wall of Voodoo


Heard 11/18/2015 around 6:00, at Jerry’s Subs (Fallsgrove)

Madeleine Peyroux, The Barns at Wolf Trap, 11/17/2015


Row L, Seat 106 (further back than usual, but dead center)
 
Nice show! Main level was pretty full (did have 3 empty seats next to me). Slightly smaller combo on stage even than I had expected, just Madeleine, plus two other wonderful musicians on guitar and upright bass, who also contributed harmony vocals on a few songs. (Sort of thought they might have someone on keyboards.)
 
Started with “Take These Chains From My Heart” (popularized by both Hank Williams and Ray Charles) and “Between The Bars”. Several songs in, paid tribute to the late Allen Toussaint with a politely funky version of “Everything I Do Gonna Be Funky (From Now On)”, followed by a few songs with just Madeleine and her acoustic guitar. Other highlights included “Don’t Cry Baby” and Randy Newman’s “Guilty”.
 
Really kicked it into gear at the end, concluding with three tracks from her breakthrough Careless Love album: Leonard Cohen’s “Dance Me To The End Of Love”, “Don’t Wait Too Long”, and the title track. They then encored with the final cut from that CD, “This Is Heaven To Me”. No intermission – whole show ran just under 90 minutes, meaning that I actually made it home around 10:00.

Monday, November 16, 2015

The Brothers Four, Bethesda Blues & Jazz Club, 11/12/2015


1960s folk legends the Brothers Four, still with one original member, had done a nice set in an area church a few years back; this time they occupied the much larger Bethesda Blues & Jazz Club for an enjoyable performance, with a two-hour show divided into two sets. Most of the tables were filled, although the theater-style seats in the rear were empty (as they don’t go on sale until the table seats have sold out).
 
The group’s trademark vocal harmonies worked well on such slow tunes as “Try To Remember” and two of their best-known hits, “Green Leaves Of Summer” and “Greenfields” (their next-to-last pre-encore number). The most enthusiastic crowd reactions, however, seemed to come on the uptempo numbers where Mark Pearson pulled out his banjo, such as their four-song “bluegrass medley”. Their two encores were a stunning version of “Shenandoah” and finally “Michael Rowed The Boat Ashore” (a personal favorite of mine from my childhood).
 
The previous time I saw them, they did a great, sad song about the end of an old family farm – I hadn’t heard it before, and they didn’t do any kind of introduction. Based on the lyrics, I was finally able to chase it down (I thought) on the Internet: “Time To Be Planting Again” by Leslie Eliel. They started into the song Thursday night, but once they got into the chorus, I wondered about whether I had found the correct song, despite the many similarities. Apparently Mark and Leslie wrote the song together but decided to go in different directions with the chorus, as the Brothers Four title their version “Heart Of The Heartland”.