As a fan of a wide variety of popular (and not-so-popular) music from the 1950s (and sometimes even earlier) up through the present, one of my bucket list projects for years has been to put together a list of my 100 favorite songs of all time. At some point I decided that, once I got around to figuring that out, I could put it out on a blog, for the infinitesimally small proportion of the Internet world that might be interested. So, here we are. While the Top 100 will be a major focus, I also plan to post on a variety of other musical (and occasionally non-musical) topics, in which you may or may not be interested. (If a particular posting doesn’t ring your bell, you’re only a few clicks away from a dancing cat video on YouTube.)

Monday, July 4, 2016

Mary Chapin Carpenter w/ The Milk Carton Kids – Wolf Trap, 7/2/2016


Row J, Seat 33 (almost dead center)
 
It was encouraging to see Mary Chapin Carpenter come on to the stage Saturday evening with four bandmates, including longtime mainstays Jon Carroll and Don Dixon. She quickly confirmed that the energetic Chapin of yesteryear was back, starting with the two most upbeat songs from her latest album (“Map Of My Heart” and “Something Tamed Something Wild”) and following those with “Passionate Kisses” and “Shut Up And Kiss Me”. My personal favorite “Stones In The Road” followed. The stretch of more contemplative material that came next was a little long and might have been better broken into two pieces, but she picked things up again with “I Feel Lucky” and “The Bug” (which I don’t recall her performing in quite a while), before concluding the main set with “The Hard Way”.
 
The crowd seemed to fill most of the lower level at least of the house, although its energy level didn’t match that of the headliner; almost no one rose for the initial encore (“He Thinks He’ll Keep Her”), and she had to coax everyone to stand for “Down At The Twist And Shout”. Perhaps getting the message, she decided to do a solo acoustic version of the title track from her 2016 CD The Things That We Are Made Of to send everyone home.
 
 
The Milk Carton Kids, a new personal favorite of mine, contributed an equally fine 45-minute opening set. With two guys, two acoustic guitars, and one microphone, the comparisons to early (pre-electric) Simon & Garfunkel are quite apt, with some great between-songs banter (particularly prior to “Charlie”) that does bring to mind the Smothers Brothers. I especially enjoyed “Monterey”, “The Ash & Clay”, and “The City Of Our Lady”, but there really wasn’t a weak spot in the entire 9-song set, and the vast majority of the crowd was both attentive and appreciative throughout.
 

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