In the first
half of the 1970s, after their origins as a British blues band and before their
emergence as California rock stars following the addition of Stevie Nicks and
Lindsey Buckingham, Fleetwood Mac released some largely-overlooked but worthy
material, particularly this track (written by Christine McVie) and “Hypnotized”
(by then-guitarist Bob Welch, whose departure prompted the addition of
Buckingham and Nicks). While the albums released during this period have not
been difficult to find on CD, the tracks for some reason weren’t available for
purchase in iTunes or Amazon. I continued to check every several months, and lo
and beyond they have finally appeared, so I guess I have a couple of purchases
to make.
As a fan of a wide variety of popular (and not-so-popular) music from the 1950s (and sometimes even earlier) up through the present, one of my bucket list projects for years has been to put together a list of my 100 favorite songs of all time. At some point I decided that, once I got around to figuring that out, I could put it out on a blog, for the infinitesimally small proportion of the Internet world that might be interested. So, here we are. While the Top 100 will be a major focus, I also plan to post on a variety of other musical (and occasionally non-musical) topics, in which you may or may not be interested. (If a particular posting doesn’t ring your bell, you’re only a few clicks away from a dancing cat video on YouTube.)
Wednesday, November 15, 2017
#163 Stranger On The Shore – Mr. Acker Bilk (1962)
That
clarinet! Those strings!!!
I still miss
the serendipity of going into a record store, browsing leisurely through the
bins, and coming up with something I never expected to find. Sometime during
the spring of 1974, when I was in DC for American University’s Washington
Semester program, I was downtown in one of the local stores (Serenade?), found
the album to which this is the title track, and promptly plunked down my 10
bucks (or whatever). The rest of the album is just OK, but this one is still a
standout.
Unfortunately,
Mr. Bilk apparently re-recorded this song several times, and when I decided I
wanted a digital version I bought the wrong version at least twice before
finding the original.
#162 Hometown Headstone – Owen Danoff (2014)
I’ve
mentioned Owen Danoff here on several occasions, so I won’t repeat myself in
this entry. This is track 1 from his first (and so far only) full-length CD,
and still my favorite Danoff song. Suffice to say that (IMHO) it’s better than
almost anything you’ll hear on the radio these days, regardless of format.
#161 Tryin’ Times – Roberta Flack (1969)
The great Roberta
Flack, who got her musical start in DC (after enrolling in Howard University at
the tender age of 15), is best known for such hit singles as “The First Time
Ever I Saw Your Face” and “Killing Me Softly With His Song”, each of which won
Grammy Awards for Record of the Year. This song, like the material from Marvin
Gaye’s What’s Going On LP, continues
to resonate today, despite being nearly 50 years old. Written by frequent duet
partner Donny Hathaway and Leroy Hutson, it’s the only track on her debut album
First Take with neither a string or
horn section, simply featuring a small all-star combo with Flack on piano, Ron
Carter on bass, John Pizzarelli on guitar, and Ray Lucas on drums.
Monday, November 6, 2017
Jesse Colin Young – Rams Head On Stage, 11/4/2017
Table 102, Row A, Seats 3-4 – front and center, with my seat only about
a foot away from the stage
This was one of the best shows I’ve seen in a long time. Jesse, who remains an excellent acoustic guitarist after all these years, began with a seven-song solo set, which started with “Sugar Babe” and included my two all-time favorites of his, “Songbird” and “Sunlight”. After a break, he brought out his band, consisting of his son Tristan on bass and 6 other recent Berklee College of Music graduates. The musicianship was stellar, particularly on electric guitar and sax, and Jesse was obviously enjoying himself throughout. The band portion of the show featured some material that I wasn’t familiar with, although it also included “Ridgetop”, “Darkness Darkness”, a great medley of “What’s Going On” and “Mercy Mercy Me”, and the obligatory audience sing-along on “Get Together” to end the set (with “T-Bone Shuffle” as the encore).
This was one of the best shows I’ve seen in a long time. Jesse, who remains an excellent acoustic guitarist after all these years, began with a seven-song solo set, which started with “Sugar Babe” and included my two all-time favorites of his, “Songbird” and “Sunlight”. After a break, he brought out his band, consisting of his son Tristan on bass and 6 other recent Berklee College of Music graduates. The musicianship was stellar, particularly on electric guitar and sax, and Jesse was obviously enjoying himself throughout. The band portion of the show featured some material that I wasn’t familiar with, although it also included “Ridgetop”, “Darkness Darkness”, a great medley of “What’s Going On” and “Mercy Mercy Me”, and the obligatory audience sing-along on “Get Together” to end the set (with “T-Bone Shuffle” as the encore).
Setlist
Hey, Dems, a better tax plan isn’t going to write itself
The title of this Steven Pearlstein column is pretty self-explanatory.
Saturday, November 4, 2017
Livingston Taylor – AMP, 11/3/2017
Great VIP seats again, center table in front row
It’s always tough for a solo performer to pull off a two-hour show
while keeping the audience engaged throughout, but Livingston Taylor managed to
pull it off last night at AMP, with his songs and stories accompanied only by
his work on guitar, piano on several songs in his post-intermission set, and
frequently-tapping feet. Although many of the songs he performed were older
than I am (most notably “Pick Yourself Up”, “Heart And Soul”, and his standard
closing medley of “Merry Old Land Of Oz”/”Over The Rainbow”), he also
spotlighted more contemporary songwriters such as Stevie Wonder (the opening “Isn’t
She Lovely”) and Laura Nyro (the classic “Sweet Blindness”), as well as such
originals as “You Can Take Me Home”, “Life Is Good”, and “Writing A Book”
(undoubtedly Taylor Swift’s next move). His love of nicely-tuned song lyrics
was evident throughout, as he did a recitation of Oscar Hammerstein II’s lyrics
to “I Cain’t Say No” (from Oklahoma!)
and spent a few minutes praising the beginning of Lesley Gore’s big hit “It’s
My Party”.
Friday, November 3, 2017
#160 The Boys of Summer – Don Henley (1984)
This one has
to make the list, even if Henley doesn’t seem to be a big YouTube fan …
#159 I Confess – The English Beat (1983)
The best of
several great songs from the band that begat both General Public and Fine Young
Cannibals.
“Being dead
don't hurt,
No only
dying.”
#158 Happy – Pharrell Williams (2014)
Over 6
million of us in the United States bought this song in 2014. It sounds just as
good today.
Subscribe to:
Posts (Atom)