As a fan of a wide variety of popular (and not-so-popular) music from the 1950s (and sometimes even earlier) up through the present, one of my bucket list projects for years has been to put together a list of my 100 favorite songs of all time. At some point I decided that, once I got around to figuring that out, I could put it out on a blog, for the infinitesimally small proportion of the Internet world that might be interested. So, here we are. While the Top 100 will be a major focus, I also plan to post on a variety of other musical (and occasionally non-musical) topics, in which you may or may not be interested. (If a particular posting doesn’t ring your bell, you’re only a few clicks away from a dancing cat video on YouTube.)
Listening to my iPod while out for my walk Tuesday morning, I was
struck by the following pair of lines:
The disappointment
of success
Hangs from your
shoulders like a hand-me down dress
And, shortly thereafter, by the second iteration of the chorus:
So look into the
mirror do you recognise someone
Is it who you always
hoped you would become
When you were young
When I got back home, I wound up deciding, for the first time, that the
complete lyrics deserved to be enshrined in my blog. (Thanks to LyricFind.) Interesting note – this tune
only ranked #14 when I put together my list of favorite songs from one
of the most underrated rock bands of all time.
Look at the fool you
have been
They drained the
pool while you drowned in the dream
They bought your
beauty and your soul
Then softly sold you
back what they stole
So look into the
mirror do you recognise someone
Is it who you always
hoped you would become
When you were young
The disappointment
of success
Hangs from your
shoulders like a hand-me down dress
And down nostalgia's
rocky road
You watch your
former lovers growing old
So look into the
mirror do you recognise someone
Is it who you always
hoped you would become
When you were young
Sometimes your lack
of sympathy gets hard to explain
Despite the name of their superlative 1993 compilation (which happens
to feature four songs recorded live at The Barns At Wolf Trap), Los Lobos is
much more than Just Another Band from
East L.A.
If I had it to do over again, this album would definitely have found
its way into my top 25. For me, this is their masterpiece, so much so that it
was painful for me to decide which tracks NOT to include in my list of
favorites. There’s one traditional Mexican number, and three cuts by Cesar
Rosas, whose tracks add some raw grit (and often some up-tempo fun) to the band’s
LPs. The rest of the songs are co-written by Louie Perez and David Hidalgo (with
help in one case from co-producer T-Bone Burnett). Hidalgo is one of the most
underrated guitarists around; one
observer has described his work as follows: “Blues bends, smoky R’n’B, the
rattle of country-swing and rock’n’roll – he’s a master of (almost) all styles,
bending them and twisting them to make his own.”
A strong sense of social consciousness permeates the Hidalgo/Perez
compositions – it’s no accident that Just
Another Band from East L.A. contains a great live version of Marvin Gaye’s “What’s
Going On”. While they display a sharp eye for individual stories on “One Time
One Night” and “The Hardest Time”, they also show (in “The Mess We’re In”) that
they understand the bigger picture: