As a fan of a wide variety of popular (and not-so-popular) music from the 1950s (and sometimes even earlier) up through the present, one of my bucket list projects for years has been to put together a list of my 100 favorite songs of all time. At some point I decided that, once I got around to figuring that out, I could put it out on a blog, for the infinitesimally small proportion of the Internet world that might be interested. So, here we are. While the Top 100 will be a major focus, I also plan to post on a variety of other musical (and occasionally non-musical) topics, in which you may or may not be interested. (If a particular posting doesn’t ring your bell, you’re only a few clicks away from a dancing cat video on YouTube.)

Friday, November 7, 2014

Monday, November 3, 2014

The James Hunter Six w/ Emily Elbert, The Hamilton, 11/1/2014


If you’ve never seen James Hunter and his band live, put it on your bucket list. Immediately. The best description of his style I’ve found was in a New Yorker article from earlier this year – “rooted in American soul music without being bound to it”. Their CDs are great, but they’re even better live.

As usual, Hunter and crew – Kyle Koehler on organ, Jason Wilson on double bass, Jonathan Lee on drums, Damian Hand on tenor sax, Lee Badau on baritone sax – were at the top of their game during their 100-minute set at the Hamilton in downtown DC (14th & F NW). They hit most of the tracks from their 2013 Minute by Minute album, a number from the earlier CDs People Gonna Talk and The Hard Way, two or three I didn’t recognize (new?), and the usual knockout cover version of The “5” Royales’ 1953 smash R&B hit “Baby Don’t Do It”. They did do my all-time favorite (“I’ll Walk Away”) near the end of the set, and finished with an audience call-and-response on “Talking ‘Bout My Love”.

Emily Elbert did about a 35-minute solo opening set – has some background (and awards) in both folk and jazz, along with a great voice. She particularly wowed the crowd with cover versions of “Whipping Post” (with a couple bars of “Manic Depression” in the middle), “Crazy”, and “The Wind Cries Mary”. Her originals weren’t bad at all, although on most of them I felt that a somewhat more sedate guitar style might have allowed her vocals and lyrics to come through better. She also provided more evidence for the maxim that it’s generally a bad idea for anyone to cover a song that Aretha Franklin has made famous (“Until You Come Back To Me” in this case).

This was my second trip to the relatively new Hamilton, both times for the JH6. We arrived about 20 minutes before the downstairs doors were scheduled to open (actually opened about 5 minutes after we arrived), with the line about halfway up the steps to the performance room. (The stairs are black and lighted in a domino pattern, which is much more attractive to look at than to navigate.) We sat in the row of tables closest to the stage, with the dance area in between. Although this did somewhat hamper our view of the stage from time to time, a couple of us had as much fun observing the dancers as watching the show. The downstairs menu is relatively limited (there’s a separate restaurant upstairs), but the burgers and pizza were at least serviceable.

Saturday, November 1, 2014

#11 The Summer Wind -- Frank Sinatra (1966)



Sinatra has to be my favorite male singer of all time. (My favorite female singer would be Eva Cassidy.) This is such a great summer song, I really regretted leaving it out of the top 10, and almost wound up doing a last-minute switch. Having said that, it was a close call selecting this as my favorite Sinatra song over some other worthy contenders.

I was surprised and delighted that this song came in at #133 on WXPN’s recent countdown of the “885 All Time Greatest Songs” – the highest entry of 3 Sinatra songs to make the list.

#12 Red Streamliner -- Little Feat (1977)


 
Little Feat almost certainly has to be the best rock-era act that not only never hit the top 40, but never even had a song in the Hot 100. To be fair, back in the day you actually had to release a song on a 45 RPM record (or, later, as a 12-inch, cassette, or CD single) to get onto the Billboard chart, and as far as I can tell Little Feat never did anything of the sort, certainly not during their 1970s heyday. Nevertheless, they got quite a bit of airplay on FM rock and alternative stations with such classics as “Fat Man In The Bathtub” and “Dixie Chicken”.
 
“Red Streamliner” is not as well-known or catchy as those two, with much more complexity in both the melody and chord progressions, but it has a haunting beauty, and is one of the two best songs of all time about trains. (The other one will appear at #7 on this list.) Michael McDonald’s backing vocals also help tremendously.

Shuffle #35 (November 1, 2014)


Nowhere Man – The Beatles
F.M. – Steely Dan
Fill It Up Again – Indigo Girls
No Smoke Without Fire – James Hunter
El Salvador – Garland Jeffreys
Welcome Back – John Sebastian
You Know I’m No Good – Amy Winehouse
Always The Last To Know – Del Amitri
Hello It’s Me – Todd Rundgren

Monday, October 27, 2014

#13 Try A Little Tenderness -- Otis Redding (1966)



There aren’t any “really old” recordings (defined here as “a lot older than I am”) in this list, but there are a few really old songs. Most of them, such as "Georgia On My Mind" and "Beyond The Sea", are generally recognized as classics. That’s not so much the case for “Try A Little Tenderness”, although it has been recorded by Bing Crosby and numerous other folks starting in 1932. No one, however, did such a radical reworking as Otis – not particularly tender, but definitely soulful.

#14 Am I The Same Girl -- Swing Out Sister (1992)



This one has an interesting history. It was first recorded in 1968 by R&B singer Barbara Acklin, but became a big hit as the instrumental “Soulful Strut” (credited to Young-Holt Unlimited) when a revised version was released later that year with Acklin’s vocals removed. Both Acklin and Dusty Springfield released the vocal version of the song in 1969, neither with much chart success.

Swing Out Sister finally rescued the song in its full glory from obscurity in 1992. The Acklin and Springfield versions aren’t bad, but Corinne Drewery and crew really make it their own.

Incidentally, one of the best CD bargains I ever picked up was in the mid-1990s in Clearwater FL (down mainly for spring training, naturally), where I found a Swing Out Sister “In-Store Play Sampler” for a mere $1.99. I don’t think I gained a lot of cred from the clerk with my purchase, but the 7 tracks proved that SOS did some great stuff beyond their few hit singles.

Sunday, October 26, 2014

Shuffle #34 (October 26, 2014)


Speed Of Sound – Coldplay
The Twelfth Of Never – Johnny Mathis
Ready To Take A Chance Again – Barry Manilow
Am I The Same Girl – Swing Out Sister
Sweet Emotion – Aerosmith
Rock Skippin’ – Jim Hall
Solitary Man – Neil Diamond
The Edge Of The World – Sonia Dada
You’ll Never Get To Heaven – Dionne Warwick

Saturday, October 25, 2014

Shuffle #33 (October 25, 2014)


Love Sneakin’ Up On You – Bonnie Raitt
You’re The One – The Vogues
War – Edwin Starr
F.M. – Steely Dan
Give Him A Great Big Kiss – The Shangri-Las
Not Where It’s At – Del Amitri
Riders On The Storm – The Doors
I Want A New Drug – Huey Lewis & The News

Friday, October 24, 2014