As a fan of a wide variety of popular (and not-so-popular) music from the 1950s (and sometimes even earlier) up through the present, one of my bucket list projects for years has been to put together a list of my 100 favorite songs of all time. At some point I decided that, once I got around to figuring that out, I could put it out on a blog, for the infinitesimally small proportion of the Internet world that might be interested. So, here we are. While the Top 100 will be a major focus, I also plan to post on a variety of other musical (and occasionally non-musical) topics, in which you may or may not be interested. (If a particular posting doesn’t ring your bell, you’re only a few clicks away from a dancing cat video on YouTube.)
Nationals starting pitcher AnÃbal Sánchez had pitched
reasonably well in September, while Phillies starter Kyle Gibson had been mostly
terrible. This afternoon saw Gibson live down to his previous month’s numbers,
while Sánchez pitched well enough to win, in a game where it would have been
hard to tell which team was in contention for the playoffs and which had the
worst record in baseball.
The Phillies quickly jumped out in front when slow-footed LF
Kyle Schwarber tripled (!) to lead off the game and was credited with his 10th
stolen base of the season (!!!) two outs later, after Bryce Harper deliberately
wandered off first base, stopping midway to second in order to bait a throw
from rookie Nats catcher Riley Adams. The home team quickly tied the game in
the bottom of the first before plating 5 runs off of Gibson in the second, an
inning climaxed by a Joey Meneses 3-run double that 3B Alec Bohm probably
should have snared.
The remnants of Hurricane Ian were very much in evidence
throughout the day. It was raining hard while I was driving down I-270,
although I wound up not needing my umbrella when walking to Rasa for lunch and
then on to Nats Park, which I entered around noon. It did start raining shortly
after I got there, with sufficient wind that I had to climb to the top row of
Section 416 to find an available covered seating area without the wind blowing
in some of the rain. As a result, the 1:05 start was delayed about 40 minutes. Once
the game got underway, however, there were only a couple hints of rain. I was
glad that I had worn my medium-weight jacket, but I didn’t feel the need for
the gloves I had brought along.
Table 102, Seat 3 – directly facing the alto sax player, and
close enough to easily touch the stage. (The other three seats at the table
were unoccupied; I hope those who purchased them had some compelling reason for
missing the show.) I had to look somewhat upward to see the top half of the
performers’ bodies, but my head was about on the same level as Hunter’s
frequently-tapping feet.
All of the 9+ Hunter
shows that I’ve attended have been top-notch, and this 85-minute set was
certainly no exception. Hunter was the only remaining member of the Six from
the most recent band show that I saw, but the 5 newcomers were excellent
throughout. The set contained an almost-even mix of songs from 2020’s Nick
of Time (10 of the album’s 13 tracks) and older Hunter material, with four
covers thrown in along the way, including his inimitable take on The “5”
Royales’ “Baby Don’t Do It”. Nick of Time highlights included “Brother
or Other”, the upbeat title track, and “Ain't Goin' Up in One of Those Things”,
a bluesy ode to aerophobia. A big crowd-pleaser relatively early in the show
was the one-two punch of “No Smoke Without Fire” and “Don’t Do Me No Favours”,
both of which featured extended solos from three of the band members. The main
set ended with the lovely ballad “Something’s Calling” followed by the up-tempo
“Believe Me Baby”. We actually got two encores: with the obligatory audience-participation classic
“Talking ‘Bout My Love” preceded by a duet with bassist Myles Weeks on “September
in the Rain,” which they had been performing together during 2019’s “James
Hunter Duo” tour.
As a bonus 20-minute appetizer for the main meal, three
members of Hunter’s band (saxman Freddy DeBoe, drummer Rudy Albin, and organist
Adam Scone) came out shortly after the scheduled show time of 8:00 to perform
an enjoyable set of jazzy instrumentals, mixing original material with a couple
of covers.