As a fan of a wide variety of popular (and not-so-popular) music from the 1950s (and sometimes even earlier) up through the present, one of my bucket list projects for years has been to put together a list of my 100 favorite songs of all time. At some point I decided that, once I got around to figuring that out, I could put it out on a blog, for the infinitesimally small proportion of the Internet world that might be interested. So, here we are. While the Top 100 will be a major focus, I also plan to post on a variety of other musical (and occasionally non-musical) topics, in which you may or may not be interested. (If a particular posting doesn’t ring your bell, you’re only a few clicks away from a dancing cat video on YouTube.)

Saturday, February 6, 2016

Richard Thompson – All-Request Show, The Barns at Wolf Trap, 2/4/2016



Row C, Seat 105 – third row back, dead center 

“Awesome” is a greatly-overused adjective, but it certainly describes this show. If Richard Thompson does three consecutive all-request shows at an intimate local venue again, I will be sorely tempted to attend all three.
 
While I’ve seen quite a few of his shows before, both with a band and solo, I’d never had the chance to see one of his all-request performances before, so I was interested to see how the whole thing worked. As we came in and had our tickets scanned, a Wolf Trap volunteer handed out slips of paper (one per customer), on which we could write a request. There were several locations (merch table, bar, stage) where we could put our slips, which eventually all wound up in a big metal bucket on the stage. He’d pull out three at a time – his reactions were among the highlights of the show – and on occasion would hand one or two of them to a young woman so she could look them up on the Internet. The occasional missteps (“Space Oddity” wasn’t exactly note-perfect) only added to the charm. At the beginning, he joked that Tuesday night’s requests had been heavy on Doris Day stuff.
 
He asked for some help on “Yellow Submarine”, so it turned into an enthusiastic audience singalong, complete with the appropriate sound effects on the bridge. When his own “Tear-Stained Letter” was requested, he mentioned that he normally performs that with a band, and divided the audience into sections for saxophone (my side), harmony vocals (“And by ‘harmony’, I mean pleasing to the ear”), and percussion (the balcony).
 
Performance-wise, “Valerie” and “Beeswing” (the final song of the main set) were probably the highlights, but he also nailed the slower numbers, especially “Waltzing’s For Dreamers” and a heartfelt version of Sandy Denny’s “Who Knows Where The Time Goes”. He did a very nice version of “Imagine”, a song that to be honest I’m normally not all that fond of. Other covers included “Goin’ Back” (Goffin-King song done by the Byrds among others) and “Old Time Rock & Roll”.
 
He got two requests from his 1000 Years of Popular Music album. The first was the 16th-century Italian number “So Ben Mi Ch'a Bon Tempo”, which came up early in the show. Quite a contrast from the final song of the night: Britney’s “Oops!...I Did It Again”.
 
He did pass up one request in the middle of the set, saying he didn’t know it. I will not name it here in order not to offend or upset any of my friends, but it’s the opening track from the breakout album by a certain legendary rocker from New Jersey.
 
And in the interest of full disclosure, I requested “Season Of The Witch”, which was suggested by an RT fanatic I know (who was off cavorting in Argentina with his girlfriend this week). He didn’t get to it.
 

No comments:

Post a Comment