As a fan of a wide variety of popular (and not-so-popular) music from the 1950s (and sometimes even earlier) up through the present, one of my bucket list projects for years has been to put together a list of my 100 favorite songs of all time. At some point I decided that, once I got around to figuring that out, I could put it out on a blog, for the infinitesimally small proportion of the Internet world that might be interested. So, here we are. While the Top 100 will be a major focus, I also plan to post on a variety of other musical (and occasionally non-musical) topics, in which you may or may not be interested. (If a particular posting doesn’t ring your bell, you’re only a few clicks away from a dancing cat video on YouTube.)

Tuesday, June 28, 2016

Paul Simon – Wolf Trap, 6/27/2016


Row J, Seat 45
 
This was one of the rare Wolf Trap shows that started somewhat late (about 8:15), perhaps because much of the crowd still wasn’t seated by 8:00. Since there was no opening act and no intermission, it really didn’t matter, as he did pretty much the same 130-minute set as in previous tour stops. The audience enthusiasm level seemed higher than at some Filene Center shows, with everyone spontaneously rising when the band started “Me And Julio Down By The Schoolyard” relatively early in the show, and later on several other occasions, most notably “You Can Call Me Al” (which closed the main set). We also provided great “lie-la-lies” for the chorus of “The Boxer”, if I do say so myself.
 
Simon was in fine form throughout, both vocally and with his whistling on “Rewrite” and “Julio”. I was a little surprised that he wasn’t wearing a cap, which seemed to have been always present when I had seen him on TV. He actually has a compelling stage presence, particularly when he wasn’t playing guitar; he’s definitely of the “less is more” school of movement, but his gestures were very effective, reminding me more of crooners than of typical rock stars. (He also contributed some awkwardly endearing white-boy dance moves on an extended version of the zydeco-flavored “That Was Your Mother”, which was one of the high points of the show.)
 
His 9-piece band was also great, although unfortunately he never introduced them; I don’t think you can apply unless you play at least three different instruments. Many of the songs were re-arranged at least slightly from their studio versions to spotlight various band members.
 
The songs ranged from early Simon & Garfunkel classics such as “Boxer” and “Homeward Bound” through three tracks from his latest album Stranger to Stranger (the title track, “The Werewolf”, and initial single “Wristband”, which was the first of seven encore songs). Despite the excellent work by the band, some of the best moments were during the ballads, with my favorite being Simon’s poignant solo version of “American Tune” to end the evening. If you haven’t gone back and listened to that one in a while, you really should.
 

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