As a fan of a wide variety of popular (and not-so-popular) music from the 1950s (and sometimes even earlier) up through the present, one of my bucket list projects for years has been to put together a list of my 100 favorite songs of all time. At some point I decided that, once I got around to figuring that out, I could put it out on a blog, for the infinitesimally small proportion of the Internet world that might be interested. So, here we are. While the Top 100 will be a major focus, I also plan to post on a variety of other musical (and occasionally non-musical) topics, in which you may or may not be interested. (If a particular posting doesn’t ring your bell, you’re only a few clicks away from a dancing cat video on YouTube.)

Tuesday, March 5, 2019

Rosanne Cash – Strathmore, 3/1/2019


Orchestra center, Row H, Seats 101-103
 
Among other things, Rosanne Cash is one of the most convincing performers I’ve ever seen. She means every word she sings.
 
Her intermission-less show at Strathmore ran close to two hours, featuring 19 songs. She began with three cuts from The River And The Thread, perhaps her finest album, and added two more near the end of the show, while the middle was dominated by 8 of the 10 cuts from last year’s She Remembers Everything. She closed the main set with her classic “Seven Year Ache”, returning to encore with a moving rendition of “500 Miles” from The List. That album’s “Long Black Veil” popped up midway, just before covers of “Ode To Billie Joe” and “Things We Said Today” (one of my favorite Beatles songs). This was a somewhat different approach from the show I saw four years ago, where she played The River And The Thread in its entirety as the first of two sets.
 
I was also impressed by her five bandmates, including former Mary Chapin Carpenter sideman Kevin Barry and hubby John Leventhal, whose work on electric and acoustic guitar complemented the material perfectly.
 
She also reached back for “Blue Moon With Heartache”, a #1 hit on the country charts from 1982. It occurred to me that, while it could easily have fit on last year’s album, it would unfortunately have virtually no chance of getting played on country radio today.
 

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