As a fan of a wide variety of popular (and not-so-popular) music from the 1950s (and sometimes even earlier) up through the present, one of my bucket list projects for years has been to put together a list of my 100 favorite songs of all time. At some point I decided that, once I got around to figuring that out, I could put it out on a blog, for the infinitesimally small proportion of the Internet world that might be interested. So, here we are. While the Top 100 will be a major focus, I also plan to post on a variety of other musical (and occasionally non-musical) topics, in which you may or may not be interested. (If a particular posting doesn’t ring your bell, you’re only a few clicks away from a dancing cat video on YouTube.)

Monday, April 4, 2022

Karla Bonoff – AMP, 4/1/2022

First indoor show since the before-times! The venue continued to insist on mask-wearing, plus proof of either vaccination or a recent PCR test, so it didn’t seem especially unsafe, despite local case counts that have once again been creeping upward the past couple of weeks. No food or beverages were available, although you could bring in bottled water.

 

It was an excellent show, well worth the parking hassles (see below), as Bonoff combined high-quality material (mostly self-written) with an expressive voice and an engaging stage presence. She moved back and forth between acoustic rhythm guitar and piano, accompanied on (mostly) electric guitar by the indispensable Nina Gerber. Almost without exception, their renditions sounded even better than the more-fleshed-out studio takes.

 

Highlights included “Someone To Lay Down Beside Me,” a personal favorite of mine dating back to when Linda Ronstadt included it on Hasten Down The Wind; the upbeat “Trouble Again”; “Please Be The One,” a moody ballad that brought to mind Chris Isaak; and her lovely cover of Jackson Browne’s “Something Fine”, accompanied only by Gerber’s quiet acoustic guitar work. Both encores were also great.

 

I arrived a good half-hour before the listed 8:00 start time, only to spend 15-20 minutes fruitlessly circling (along with others) through the multi-level attached parking garage looking for an empty space. The garage across the street also had a long line waiting to get in, so I was close to giving up on the whole thing. As I was aimlessly driving out of the main retail area, however, I saw another big lighted “P”, with no line and the illuminated digital promise of many spaces available. I parked, hustled back toward the club, managing somehow not to get lost – it was now well after sunset – and picked up my ticket and got checked in, a few minutes after 8:00 but about 5 minutes before the show actually started. I spotted a pair of empty seats in the back row of the “premium” section, and quickly grabbed the one on the aisle. It appeared to be a near-capacity crowd, with only scattered empty seats.

 

Setlist

 

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