As a fan of a wide variety of popular (and not-so-popular) music from the 1950s (and sometimes even earlier) up through the present, one of my bucket list projects for years has been to put together a list of my 100 favorite songs of all time. At some point I decided that, once I got around to figuring that out, I could put it out on a blog, for the infinitesimally small proportion of the Internet world that might be interested. So, here we are. While the Top 100 will be a major focus, I also plan to post on a variety of other musical (and occasionally non-musical) topics, in which you may or may not be interested. (If a particular posting doesn’t ring your bell, you’re only a few clicks away from a dancing cat video on YouTube.)

Monday, August 8, 2022

Lyle Lovett & His Large Band / Chris Isaak – Wolf Trap, 8/6/2022

Prime Orchestra, Row F, Seat 119. Again.

 

No rain this time!

 

On the way down, there was a backup on the Beltway approaching the bridge. No problems on the way back, although there was certainly more traffic on a Saturday night than for my two previous Sunday evening shows.

 

In a somewhat novel twist, Lovett, Isaak, and one other guy came out on stage just before the 7:30 show time. They announced that they would flip a coin to see which of them did the opening set. Lyle won the toss and “deferred”, which meant that Chris went on first. Which worked out well, since his band’s equipment was already on stage.  😉

 

Isaak and his four bandmates put on an excellent 90-minute set, pulling out the rock-and-roll licks (and moves) on the faster numbers while providing just enough accompaniment on the ballads to highlight Isaak’s vocals. (Yes, he can still hit those high notes.) While they made sure to roll out the hits, including “Baby Did A Bad Bad Thing” and “Wicked Game”, I was also impressed with some of the songs I hadn’t heard before, especially the show-closing “The Way Things Really Are”. While most of their material was original, they also did full justice to songs made famous by others, such as James Brown (!), Elvis, Johnny Cash, and (of course) Roy Orbison.

setlist

 

Lovett and crew kept the momentum going after “halftime” of the show. Isaak added to the fun by coming back onstage for three songs mid-set: a duet on “Straighten Up And Fly Right”, a cover of Roy Orbison’s “Dream Baby” on which Isaak’s band provided backup vocals, and a hilarious novelty number entitled “We Gave Each Other Covid”. That mini-set was immediately preceded by the always-entertaining “Here I Am”, and followed by two of the show’s highlights: the gospel-flavored “I Will Rise Up” and a version of “I’ve Been To Memphis” that featured solos by the many band members.

 

Lovett certainly can’t be accused of self-promotion; he never mentioned that earlier in the year he had released his first new album (12th of June) in 10 years, despite performing 5 of its 11 tracks. IMHO, the title track is one of the best songs released so far this year.

 

Lovett and the band also drew well-deserved cheers for two of his best-known tunes near the end of the set: “If I Had A Boat” (my personal favorite) and “That’s Right (You’re Not From Texas)”. The strict 11:00 curfew did bite at the end, however, as the band had to exit with only a brief instrumental reprise of “Here I Am”, with no time left for an encore.

setlist

 

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