#65 Do You Believe In Magic -- The Lovin' Spoonful (1965)

https://www.youtube.com/watch?v=y23WN9t_WVU

“Summer in the City” by The Lovin’ Spoonful nearly always appears when anyone puts together a list of “Top Summer Songs”. While I like the song, I really prefer a more positive vibe to my summer songs than gritty necks and blowing horns. “Do You Believe In Magic” has nothing directly to do with summer, but it’s great for pool parties, afternoons at the beach, or just cruising down the highway on a nice summer day.

#66 Tenderness -- General Public (1985)

https://www.youtube.com/watch?v=nmoHQ2DC3zo

The English Beat was the best of the 1980s British “ska-rock” bands, with such great songs as “I Confess”, “Mirror in the Bathroom”, and “Too Nice To Talk To”. Although they never even hit the Billboard Hot 100 in the U.S., despite getting considerable airplay on alternative and progressive FM radio stations, they begat both the Fine Young Cannibals and General Public, both of whom had more chart success. “Tenderness” is wonderfully infectious despite its unusual structure (short simple chorus but two different bridges) and tricky rhythm, and it also features some nice twists in the lyrics (“My luck’s like a button, can’t stop pushing it”).

Serendipity #12

Am I the Same Girl – Swing Out Sister (1992)

http://www.youtube.com/watch?v=sK6Ro0JCP9U

Heard 4/29/2014 shortly after 6:00 at Jerry’s Subs in Gaithersburg (Shady Grove)

April 27, 2014 – Padres 4, Nationals 2 – Nationals Park

4 weeks into the season – meh

Umpires: HP: Marvin Hudson. 1B: Cory Blaser. 2B: Ben May. 3B: Doug Eddings.

Weather: 60 degrees, sunny.

Wind: 7 mph, In from LF.

T: 3:12.

Att: 34,873.

Section 107, Row FF, Seats 5-6 (lower level, down the left field line, just barely in foul territory, in the sun for most of the game)

Four weeks into the 2014 season, the Nats have a modest 14-12 record, 4 games behind Atlanta (and ½ game in back of the Mets). Just finished off an 11-game homestand, going 5-6. Still more potential than consistent performance, and a continuation of their unsettling trend of key players not being able to stay healthy. (2014 seems to be the Year of the Hand.)

Sunday’s showing was not particularly inspiring. The Nats started out well, notching a first-inning run on consecutive doubles by Rendon and Werth, but would not get another hit against San Diego starter Ian Kennedy until the seventh. Nate McLouth managed a solo homer against Joaquin Benoit in the eighth, perhaps in a bid to prove to us skeptics that Mr. Mister’s “Kyrie” is not one of the worst walk-up songs ever.

For the Nats, starting pitcher Taylor Jordan didn’t seem to be particularly sharp, although he held the Padres to just one run in four innings before being double-switched out of the game. (Turns out he had the flu.) Ross Detweiler managed to retire just 4 of the 9 batters he faced, and Aaron Barrett added to the damage by issuing two bases-loaded walks, giving the Padres a 4-1 lead. Werth provided some hope by leading off the bottom of the ninth with a single, but the rally went no further, as Huston Street collected his ninth save in as many opportunities.

I headed down a little early given the Jordan Zimmermann bobblehead giveaway, and did run into a bit of backup around noon on the GW Parkway getting on to the 14^th Street Bridge. Parking in HH also seemed heavier than usual. Was in plenty of time to get a bobblehead, though, as they still seemed to be available at least through 12:50. (Fortunately the Nats have gone back to having giveaway items available at all gates, instead of just at the centerfield entrance as was the case last year.) Went with the chicken shawarma from Shawafel, very near our section – good, but overpriced even by ballpark standards at $11.00.

April 26, 2014 – Nationals 4, Padres 0 – Nationals Park

Roark rules!

Umpires: HP: Doug Eddings. 1B: Marvin Hudson. 2B: Cory Blaser. 3B: Jim Joyce.

Weather: 66 degrees, sunny.

Wind: 12 mph, In from LF.

T: 2:19.

Att: 31,590.

Section 131, Row U, Seats 9-10 (lower level, just beyond first base, not too far from the field, so was able to go with short sleeves and no jacket for the first time since the home opener)

The Nats didn’t get Tanner Roark as the first pick in the draft (Strasburg), or pick him up in a blockbuster trade (Gonzalez, Fister). He was a 25^th-round draft pick after pitching for a couple months in an independent league, never appeared on top prospect lists, didn’t do anything especially noteworthy in the minor leagues, was acquired by the Nats from the Rangers in a minor deal at the 2010 trade deadline, and wasn’t added to the team’s 40-man roster after an undistinguished 2012 season at AAA Syracuse (6-17, 4.39 ERA). Many still mispronounce his name with one syllable (it’s ROW-ark). Tom Boswell has a nice column in today’s Post chronicling his modest start and recent achivevements.

This afternoon, Roark was magnificent, producing the team’s first complete game of the year in an ultra-efficient 105 pitches, more than 2/3 of them strikes. He was perfect into the sixth inning, until Padres catcher Rene Rivera managed a one-out single to center. San Diego managed only two other hits, and Roark only walked one batter.

Meanwhile, the Padres were channeling the worst aspects of the early-season Nationals, allowing 3 first-inning runs and being charged with 3 errors. (Their most critical misplay, when second baseman Jedd Gyorko couldn’t handle a likely double-play grounder by Jayson Werth in the first, was initially also scored as an error but later changed to a hit.*) The Nats managed only one more run the rest of the game, but their modest offensive output was more than enough for Roark.

Traffic was relatively uneventful both ways, although I can’t quite figure out the recurring Legion Bridge slowdowns on the way back from games this year. Took advantage of both the $5 beer and 2-for-1 hot dog coupons.

* - 5/15/2014 update: heard on a Nats broadcast this week that, upon a few weeks of further review, they changed the play back to an error.

 

April 24, 2014 – Padres 4, Nationals 3 (12 innings) – Nationals Park

A baserunner is a terrible thing to waste

Umpires: HP: Cory Blaser. 1B: Jim Joyce. 2B: Doug Eddings. 3B: Marvin Hudson.

Weather: 62 degrees, partly cloudy.

Wind: 8 mph, In from LF.

T: 4:14.

Att: 22,904.

Last Sunday, the Nats set a team record for a nine-inning game by stranding 17 runners, but nevertheless managed a 3-2 win over St. Louis. They only left 14 on base tonight (13 through the first 9), but made franchise history in a slighty different way by going 0-16 with runners in scoring position. This time they weren’t so lucky, as San Diego finally pushed across a run against the Washington bullpen in the 12^th inning to score a 4-3 win. The 8^th, 10^th, and 12^th innings were particularly frustrating, as each time the Nats started out with a runner on second with no outs, only to see the next batter strike out rather than advancing the baserunner to third.

The Nats opened the scoring with a gift run in the bottom of the third. With one out, Padres starting pitcher Eric Stults attempted to pick Denard Span off first base but threw the ball away, allowing Span to get to third. Rendon followed by hitting a sac fly to left to score Span. After falling behind 3-1, they did come back to tie things up on solo homers by Espinosa in the sixth and LaRoche in the seventh.

Jordan Zimmermann turned in a decent outing for the Nats, allowing 3 runs in his 6 innings before being lifted for a pinch-hitter. He dominated the Padres for the first three innings, facing only the minimum 9 batters and keeping his pitch count low. (In a sign of possible trouble to come, though, he fell behind 2-0 to both the #8 and #9 hitters before getting them out.) He did allow a run in the fourth and two in the sixth, as the Padres did a much better job taking advantage of their opportunities. The bullpen then held the fort until San Diego finally scored on Stammen in his third inning of work. Clippard’s eighth inning performance, although scoreless, was not especially encouraging, as he wrapped three long fly ball outs to center field around a single and a walk.

We did get to see the Nats' first successful replay challenge -- San Diego's Yonder Alonso was initially ruled to have successfully stolen second base in the ninth, but was ruled out after review. We also saw an oddity in the bottom of the 11th inning, when Padres ace starting pitcher Andrew Cashner came out to play left field. Turns out that left fielder Seth Smith had to leave the game due to a strained groin, and manager Bud Black had planned to double-switch the pitcher and left fielder after the first batter of the inning. Thus, Cashner remained in the game for one uneventful batter, then left after the double switch.

This was the first night game of the season for me, so I had forgotten how crowded Metro can be at rush hour. Most of the Red Line leg was not too bad, but by Farragut North my car was completely packed. Did arrive early enough to get down to Subway (the usual roast beef on honey oat with lettuce, tomato, pickles and banana peppers), and took advantage of one of my $5 beer coupons at the Nats Dogs stand. It wasn't as cold/windy as it could have been, although I did wear a warmer jacket, as well as gloves for part of the game. I wound up leaving after the 11^th inning to be sure I wouldn’t miss the final Red Line train (so I did miss Harper getting doubled off second to end the game), and finally got back to Shady Grove a few minutes after midnight. (At least I didn’t have to pay to get out of the parking lot.)

#67 Mystery -- The Manhattan Transfer (1984)

https://www.youtube.com/watch?v=MNq2MLg0N4E

You may or may not have heard of British songwriter/producer/musician Rod Temperton, but you almost certainly are familiar with some of the hits he’s written:

·        Boogie Nights, Always And Forever, and The Groove Line (all hits for the R&B group Heatwave, of which Temperton was a member for a couple years)

·        Rock With You, Off The Wall, and Thriller (Michael Jackson)

·        Baby Come To Me (Patti Austin and James Ingram)

·        Sweet Freedom (Michael McDonald)

Yet, for some reason, no one could even crack the top 100 with “Mystery”, perhaps the best song he’s ever written. The Manhattan Transfer, who just managed to hit the Top 40 in 1983 with “Spice of Life” (which was co-written by Temperton), released “Mystery” as the follow-up single, but it never gained any traction. It also appears on Anita Baker’s breakthrough 1986 album Rapture, but was wasted as the B-side of “Caught Up in the Rapture”. (To be fair, Baker had 5 successful other tracks from the LP and didn’t exactly need any more.)

Quite a mystery why this one never made it, but the lack of chart success certainly shouldn’t diminish the quality of the song. Perhaps it hit #1 in some alternate musical universe.

#68 Follow You Down -- Gin Blossoms (1996)

https://www.youtube.com/watch?v=27S0DHkTp-g

The Gin Blossoms were one of the greatest, and most tragic, rock bands of the 1990s. The greatness stems mainly from their hit 1992 album, New Miserable Experience, one of the greatest collections of jangle-pop tunes of this or any other decade. (It’s probably not a coincidence that their first post-NME single, “Til I Hear It From You”, was co-written with Marshall Crenshaw.)

The band’s co-founder and original guitarist, Doug Hopkins, wrote their first two hit singles (“Hey Jealousy” and “Found Out About You”), as well as two of NME’s best non-radio tracks, “Lost Horizons” and “Pieces of the Night”. Unfortunately, the drinking references in the latter two songs were based on personal experience; Hopkins had battled depression and alcoholism for many years, and his drinking problems worsened significantly while the band was recording NME, to the extent that the other members were forced to dismiss him from the band. In December of 1993, just as the band was hitting it big, Doug Hopkins shot himself to death.

“Follow You Down” was the first single from the band’s follow-up album, Congratulations I’m Sorry. (The title refers to how some people greeted the band, referring both to their success and to Hopkins’ death.) Musically, the song is irresistibly infectious, with a great uptempo melody and some tasty harmonica work. The lyrics are more bittersweet, and the chorus in particular has always brought Doug Hopkins to mind for me.

Anywhere you go

I’ll follow you down

Anyplace but those I know by heart

Anywhere you go, I’ll follow you down

I’ll follow you down, but not that far

#69 Break It To Me Gently -- Brenda Lee (1962)

https://www.youtube.com/watch?v=xhxC3F1hvdo

The precocious “Little Miss Dynamite” first hit the charts before she even became a teenager, but her biggest hits came in the first half of the 1960s, working with producer Owen Bradley. Like Roy Orbison, she had the occasional uptempo hit (her first Top 10 single was “Sweet Nothin’s” in 1960), but there was a certain aching quality to her voice that showed to best advantage on mournful ballads. The titles of some of her biggest hits tell the story – “I’m Sorry” and “I Want to be Wanted” (both of which went to #1), “All Alone Am I”, “Losing You”, and “Fool #1”. “Break It To Me Gently” (which was also a hit for Juice Newton 20 years later) is my personal favorite, particularly the superb bridge – hard to believe how expressively she could interpret this song at the tender age of 16. Fortunately, the “I’ll never love again” that ends the song didn’t turn out to be prophetic, as she’s been married 40 years and counting.

#70 Undercover Of The Night -- The Rolling Stones (1983)

http://www.youtube.com/watch?v=_HXZpCTN3rg

It was tough to omit “Dead Flowers”, but although the Stones don’t get into social or political commentary very often, they nail it here. Plus this rocks harder than almost anything they’ve ever done.