As a fan of a wide variety of popular (and not-so-popular) music from the 1950s (and sometimes even earlier) up through the present, one of my bucket list projects for years has been to put together a list of my 100 favorite songs of all time. At some point I decided that, once I got around to figuring that out, I could put it out on a blog, for the infinitesimally small proportion of the Internet world that might be interested. So, here we are. While the Top 100 will be a major focus, I also plan to post on a variety of other musical (and occasionally non-musical) topics, in which you may or may not be interested. (If a particular posting doesn’t ring your bell, you’re only a few clicks away from a dancing cat video on YouTube.)

Thursday, June 18, 2015

Richard Thompson Electric Trio w/ Robert Ellis, The Birchmere, 6/17/2015


Richard Thompson, great show, yada yada yada. Nothing particularly unusual about that. Over the past several years, most of the times I’ve seen him have been solo. One of the advantages of a band show such as this is that it lets him rock out more, spotlighting his electrifying (sorry) work on electric guitar as well as his superb acoustic work.
 
The credibility that Thompson has built up with his audiences over the years allowed him to trot out about half of the 12 songs on his new album Still (although it won’t be available for purchase until next week), including the first and third songs of the set. The best of the new tracks were the first single, “Beatnik Walking,” and the album-closing “Guitar Heroes,” during which Thompson plays in the style of everyone from Django Reinhardt to Chuck Berry.
 
Thompson also mixed in quite a few classics, including a stunning version of my all-time favorite, “Al Bowlly’s In Heaven.” Other highlights included “Tear-Stained Letter” (which ended the two-song first encore) and “Wall Of Death.” Thompson and band played for an hour and 45 minutes, and no one left feeling cheated.
 
Many of us hadn’t realized that Thompson would have an opening act: Robert Ellis, who performed several songs on acoustic guitar in a 30-minute opening set. The Texas-born Ellis struck me as a sensitive singer-songwriter with a bit of country twang in his voice, meaning that he seemed like an odd opening act for Thompson. The audience was reasonably appreciative, with the best crowd reaction coming from “TV Song.” (I found out later that he co-wrote “Steady As The Rising Sun,” which he also performed Wednesday night, with Taylor Goldsmith of Dawes.)
 
Traffic on the GW Parkway coming down was a mess due to an earlier accident – left Rockville at 3:30 (via Falls Road) and didn’t arrive until 4:45. Still got a reasonable line number (D66, with a starting point of D19) and sat at table 214, on the left about halfway back. Coming back, I heard on WTOP before I got too far that the northbound Parkway was completely closed due to an accident. (It was still closed when I got up this morning.) I followed the Google Navigation recommendation to take I-395 south and catch the Beltway at Springfield – seemed out of the way but worked well, getting home in under an hour. Tried the orange butter salmon from the specials menu, which was quite good.

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