As a fan of a wide variety of popular (and not-so-popular) music from the 1950s (and sometimes even earlier) up through the present, one of my bucket list projects for years has been to put together a list of my 100 favorite songs of all time. At some point I decided that, once I got around to figuring that out, I could put it out on a blog, for the infinitesimally small proportion of the Internet world that might be interested. So, here we are. While the Top 100 will be a major focus, I also plan to post on a variety of other musical (and occasionally non-musical) topics, in which you may or may not be interested. (If a particular posting doesn’t ring your bell, you’re only a few clicks away from a dancing cat video on YouTube.)

Thursday, July 8, 2021

‘Summer of Soul’ is not just a great music documentary but an exhilarating time capsule

https://www.washingtonpost.com/goingoutguide/movies/summer-of-love-movie-review/2021/06/29/c6953bec-d531-11eb-ae54- 515e2f63d37d_story.html

 

I completely agree with Ann Hornaday’s review. As far as I’m concerned, the contest for best movie of 2021 may be over already.

 

A few notes on my first in-person moviegoing experience in the past 17 months or so:

 

I initially went to buy my Tuesday-matinee bargain ticket online, but discovered that my $7.99 senior list price would be accompanied by a $2.00 “convenience fee”. So I canceled the transaction and used the kiosk in the lobby instead.

 

Since the movie started at 4:15, all I wanted concessions-wise was a bottle of water, and I was happy about that after looking at some of the other prices. The cheapest popcorn went for an eye-popping $8.00 (after tax), and the chicken tenders combo was around 17 bucks. Maybe I should stop complaining about the prices at Nationals Park.

 

There were 8 (!) trailers for upcoming attractions, most of which I will be happy to skip. They were, in order:

 

Dear Evan Hansen

Reminiscence

Snake Eyes

Joe Bell

Respect

West Side Story

The French Dispatch

The Eyes Of Tammy Faye (apparently with a recurring motif of “These Eyes” by the Guess Who)

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